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    Film
    monologue
    Drama

    James Shares at the AA Meeting

    from Honey Boy

    Written by Shia LaBeouf

    Honey Boy

    2 min · 1 character · Any gender · 25-35

    James shares the harrowing details of his traumatic childhood, his spiral into addiction, and his path to finding purpose through his son.

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    Scene PreviewExcerpt — subscribe to read full scene

    JAMES

    I was 11 when my Mom told me that she would rather be with women and particularly this woman who was a mean ass woman and an outrageous alcoholic. She’d beat you over the head til she broke her hand and just keep laying in on you. Just did not give a shit and would do it again the next day. Always remember her hand in a cast. Drama... It was always…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Shia LaBeouf for the contemporary drama Honey Boy, this monologue takes place at an AA meeting where James speaks openly to the group. He recounts a childhood shaped by domestic instability, followed by his own destructive spiral through severe substance abuse, incarceration, and personal disgrace. Moving through extreme trauma and hard-won accountability, the speech culminates in his discovery of recovery and his realization that he must step up as a father for his young son.

    Character Analysis

    James is an intensely wounded individual carrying the weight of deep generational trauma, addiction, and profound shame. Despite his violent history and past self-destruction, he is actively striving toward self-awareness and redemption through the recovery program. His vulnerability is not performative or polished; it is raw, gritty, and stripped of excuses, revealing a working-class fighter who is ultimately motivated by a desperate desire to protect his child.

    Why This Works for Auditions

    This monologue offers actors an extraordinary emotional arc within a concise two-minute framework. It avoids common audition pitfalls by anchoring extreme, harrowing subject matter in a grounded, confessional setting where the speaker is working through their memories rather than attacking an external partner. Casting directors can observe an actor navigate complex layers of guilt, survival, emotional restraint, and unexpected tenderness without ever resorting to melodramatic excess.

    Best Suited For

    This piece is ideal for actors aged 25 to 35 who fit gritty, intense, working-class, or anti-hero casting profiles. It serves as powerful material for self-tapes, drama school auditions, agent showcases, and general practice focused on deep monologue work.

    Performance Tips

    Resist the temptation to play the confession with self-pity or theatrical shock value. In a recovery meeting, shares of this nature are often delivered with a stark, matter-of-fact honesty, as the speaker has lived with these grim realities for years. Allow the shifts in thought—from traumatic memory to quiet realization—to happen behind the eyes, keeping physical gestures minimal so that vocal clarity and emotional stillness take center stage.

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