Skip to content
    Film
    group
    Drama

    Jewell Asks the FBI If They Have Any Actual Case Against Him

    from Richard Jewell

    Written by Billy Ray

    Richard Jewell

    3 min · 3 characters · Any gender · 25-35

    During a high-stakes FBI interrogation, Richard Jewell stops defending himself and confronts the agents about their lack of evidence and ethics.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    SHAW

    Richard, have you ever accessed an Internet site called Candyman’s Candyland for information about The Anarchist’s Cookbook?

    JEWELL

    No, I have not.

    SHAW

    But you did have police training in handling explosives.

    BRYANT

    We’ve covered this.

    SHAW

    Did you ever collect any pieces of pipe from Centennial Park when it was under construction?

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Jewell Asks the FBI If They Have Any Actual Case Against Him in full, with access to 7,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Screenwriter Billy Ray crafts a claustrophobic, high-stakes interrogation sequence set within an FBI conference room in contemporary Atlanta. Richard Jewell has spent hours under intense federal scrutiny, flanked by his defense attorney Bryant as Agent Shaw probes into his past, personal life, and connection to the Centennial Park bombing. The interaction captures a pivotal turning point where an ordinary citizen, overwhelmed by suspicion, must navigate the machinery of the legal system and the relentless pressure of federal agents determined to confirm their profile.

    Character Analysis

    Jewell is an earnest, vulnerable Everyman archetype whose natural deference to authority is tested to its breaking point under relentless suspicion. Shaw represents cold, methodical institutional authority, delivering invasive queries designed to destabilize the subject and expose contradictions. Bryant acts as a grounded, sharp-tongued defense lawyer whose primary objective is to shield his client from procedural overreach and maintain tactical control over an increasingly hostile environment.

    Why This Works for Auditions

    This scene provides three distinct, high-impact roles that showcase ensemble tension, active listening, and calibrated vocal dynamics. Jewell offers an exceptional dramatic arc that transitions from cooperative exhaustion to quiet resolve, demanding vulnerability without self-pity. For actors cast as Shaw or Bryant, the piece tests status play, legal precision, and the ability to command space using rhythm and intent rather than physical movement.

    Best Suited For

    The material is exceptionally well suited for agent showcases, self-tape auditions, and advanced scene study classes focusing on contemporary dramatic realism. It serves as strong reel footage for actors targeting law enforcement, attorney, or sympathetic working-class characters in procedural dramas and psychological thrillers.

    Performance Tips

    Avoid letting the exchange turn into a monotone question-and-answer session by actively charting the shifts in psychological leverage across the table. For the actor playing Jewell, let the physical weight of hours of interrogation show in your posture and breath, while keeping your responses immediate and sincere. Shaw and Bryant should establish a crisp, combative rhythm, treating every verbal objection and probe as a deliberate tactical maneuver rather than mere dialogue filler.

    No ratings yet
    Sign in to rate