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    Film
    duologue
    Sci-Fi

    John Picks Up His Father's Ham Radio

    from Frequency (2000)

    Written by Toby Emmerich

    2 min · 2 characters · Any gender · 25-35

    John accidentally connects via ham radio to a man in the past, bonding over baseball while unaware of the supernatural connection.

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    Scene PreviewExcerpt — subscribe to read full scene

    FRANK

    CQ 15, come in 15.

    JOHN

    Uh, hello?

    FRANK

    WB2YKXB, who've I got?

    JOHN

    Name's John.

    FRANK

    Are you licensed to broadcast, buddy?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Toby Emmerich for the film Frequency, this two-minute contemporary sci-fi duologue captures an unexpected and fateful connection between two strangers over airwaves. A world-weary John sits down at his father's old ham radio and answers a call from Frank, unaware that his transmission has crossed through time to connect with his own father in the past. What begins as a slightly tense technical dispute over broadcast licensing quickly softens into an easy, nostalgic conversation grounded in their shared roots in Queens, New York, and a mutual love for classic baseball.

    Character Analysis

    John is guarded, fatigued, and nursing an underlying vulnerability, masking his personal despair behind quiet sarcasm and alcohol. He carries the weight of a man whose life feels stalled, yet his defensive shell quickly softens when reminded of boyhood passions. Frank represents a grounded, working-class Everyman with an open-hearted sincerity, taking pride in everyday traditions, community identity, and the timeless romanticism of the sport. Both characters demonstrate a quiet loneliness, using the crackling audio line to find an unexpected moment of genuine human warmth.

    Why This Works for Auditions

    This piece provides an exceptional showcase for naturalistic dialogue, active listening, and subtle emotional shifts. Because the characters communicate entirely over a radio transceiver without physical contact, the drama depends heavily on vocal inflection, timing, and micro-reactions to what is heard through the static. It allows an actor to demonstrate restraint and emotional transformation within a compact timeframe, evolving naturally from defensive cynicism into pure, unforced nostalgia.

    Best Suited For

    The piece is best suited for performers in the 25 to 35 age bracket who fit Working Class, Everyman, Leading Man, or Loner casting profiles. It serves as an effective selection for self-tapes, agent showcases, and studio scene study where actors want to highlight authentic regional character work without resorting to heightened melodrama.

    Performance Tips

    Keep the physical reality of operating the equipment front and center, remembering that communication through a radio requires conscious pauses, listening through static, and deliberate rhythm. For John, chart the transition carefully from flat, weary isolation to the spontaneous spark of joy when recalling his favorite players. For Frank, bring a confident, conversational warmth that cuts through the distance, treating the interaction as an ordinary neighborly chat rather than anticipating the science-fiction revelation.

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