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    Drama

    Korey's Mother Visits Him at Rikers

    from When They See Us

    Emmy Winner

    Written by Ava DuVernay & Michael Starrbury

    When They See Us

    2 min · 2 characters · Any gender · Under 18

    Korey and his mother Deloris navigate a strained, emotional visit in prison as they discuss survival, family resentment, and financial hardship.

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    Scene PreviewExcerpt — subscribe to read full scene

    DELORIS

    How are you?

    KOREY

    Surviving, you know. Was hoping to see you before now.

    DELORIS

    I been trying. It’s not easy for me to make it here. There’s a lot going on. It ain’t easy, okay?

    KOREY

    I know. It’s all good. I’m glad you’re here now. I miss you. How you holding up?

    DELORIS

    I... I been better.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Ava DuVernay & Michael Starrbury for the television drama When They See Us, this contemporary duologue captures a visit in the Rikers Island visiting room. Korey, an incarcerated young person, receives a long-awaited visit from his mother, Deloris. Their conversation moves delicately between strained updates, the grim realities of confinement, and unresolved family tensions. It offers two actors an intimate, emotionally charged scenario defined by mutual affection tested by systemic hardship and exhaustion.

    Character Analysis

    Korey is a young person attempting to navigate an overwhelming environment while shielding his mother from the full weight of his distress. He works hard to offer comfort and levity, masking his isolation behind gentle humor while gently probing for news of his siblings. Deloris is an exhausted working-class matriarch carrying the heavy strain of daily survival, guilt, and emotional fatigue. Though her love for her son is deeply sincere, her energy is depleted, leaving her defensive about her absences and frustrated by complex family dynamics on the outside.

    Why This Works for Auditions

    This two-minute scene delivers high dramatic stakes through quiet, concentrated subtext rather than explosive confrontation. The dialogue requires actors to balance conflicting objectives simultaneously, attempting to appear strong for one another while privately desperate for reassurance. It demonstrates exceptional emotional maturity, vocal control, and active listening in a tightly confined physical space. Casting panels and agents can readily observe an actor's capacity for vulnerability and grounded realism without relying on heightened melodrama.

    Best Suited For

    With its intense and vulnerable tone, this piece is an excellent choice for drama school auditions, agent showcases, self-tape auditions, and scene study partnerships. It provides strong material for actors pursuing working-class, matriarch, or vulnerable teenager casting types who want to display nuanced, empathetic dramatic work.

    Performance Tips

    Avoid playing the generalized sadness of the prison setting, and focus instead on the specific history and love between these two individuals. Keep the physical energy restrained to reflect the public, monitored nature of a correctional visiting facility, letting the emotional tension live in the eyes and pauses. Ensure that the brief flashes of humor and shared warmth land genuinely, as these fleeting moments of connection give the surrounding heartache its power.

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