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    Comedy-Drama
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    Late Night Call Home

    from Ted Lasso

    Written by Jason Sudeikis

    Ted Lasso

    Ted calls his son and wife back in America, struggling to maintain his optimistic facade while facing the painful reality of their separation.

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    TED LASSO

    Hey big guy! Sorry about that... how ya doin’, how was school today?...Oh right. I forgot, ha. I tell ya, I got that ‘jet lag’ stuff real bad, feel a little loopy... Haha, yeah you could say that... What’s that now...oh, yeah, it’s good, ya know...no, that all starts tomorrow...So hey, me and your mom are gonna find a time for y’all to come out…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary comedy-drama monologue from the award-winning television series Ted Lasso, written by Jason Sudeikis, captures a deeply vulnerable domestic moment. Set late at night, Ted places a long-distance telephone call home to America to speak with his young son and his wife. Across two minutes, the scene charts an emotional descent from affectionate, upbeat parenting into the quiet, isolating realization of marital separation and homesickness.

    Character Analysis

    Ted is an affable, charming man in his forties who naturally embodies the archetypes of the devoted parent and relatable everyman. His immediate reflex in any crisis is persistent cheerfulness, deflection, and warmth, but beneath that polished exterior lies profound loneliness. During this conversation, the physical distance between countries underscores his emotional estrangement, forcing him to accept painful boundaries while still trying to protect his family from his private distress.

    Why This Works for Auditions

    This piece offers actors an exceptional vehicle for demonstrating subtext and emotional restraint. One-sided telephone scenes can be difficult to sustain, but this text contains a built-in shift in focus, moving from lighthearted banter with a child to an uneasy negotiation with a spouse. Casting panels will see your facility with active listening, your ability to create a vivid invisible scene partner, and your skill at showing cracks in an optimistic facade without veering into melodrama.

    Best Suited For

    This selection is ideally tailored for male actors aged 35 to 45 who read as charming, vulnerable leading men or grounded parental figures. It works brilliantly for drama school auditions, agent showcases, self-tape submissions, and general screen-acting practice where grounded, contemporary realism is demanded.

    Performance Tips

    Resist the temptation to lead with sorrow; the dramatic tension lives entirely in Ted’s desire to keep the mood bright and reassuring. Clearly define the two people on the other end of the line by changing your vocal energy, posture, and pacing as the phone is handed over. Pay close attention to the beats where the other person is speaking, allowing their words to visibly alter your physical comfort and breathing. Keep the ending simple and still, letting the deflation hit only after the call disconnects.

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