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    Film
    duologue
    Comedy-Drama

    Louise Asks Father Jud to Pray for Her

    from Wake Up Dead Man: A Knives Out Mystery

    Written by Rian Johnson

    Wake Up Dead Man: A Knives Out Mystery

    Father Jud attempts to extract information about a mysterious forklift order, but the conversation takes an emotional turn when the clerk breaks down.

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    Scene PreviewExcerpt — subscribe to read full scene

    JUD

    Yes hello Louise yes it's Father Jud from Perpetual Fortitude hello

    LOUISE

    Oh, hello.

    JUD

    Hi. Louise, uh, we had a piece of your construction equipment here today, a forklift to open a uh crypt

    LOUISE

    I know, not too often we get crypt opening orders.

    JUD

    great, so I need to know

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary comedy-drama duologue from Rian Johnson’s *Wake Up Dead Man: A Knives Out Mystery* centers on a tense phone call between a priest and an equipment company clerk. Father Jud calls to extract urgent information about a mysterious forklift order connected to a crypt, but his investigation is delayed by Louise’s rambling small talk. As Jud tries to steer the conversation back on track, the interaction pivots into an unexpected moment of genuine emotional vulnerability.

    Character Analysis

    Father Jud is an earnest, relatively new priest caught between pastoral duties and the pressure of an active investigation. He must project the composed authority of his collar while quietly wrestling with impatience and urgency. Louise is a practical, working-class clerk who runs the office alongside her brother. While initially coming across as chatty and easily distracted, she carries a deeper grief and sudden need for comfort that cuts straight through Jud's professional agenda.

    Why This Works for Auditions

    This two-minute scene offers a superb showcase for balancing comedic frustration with authentic pathos. Because the interaction takes place over the phone, casting directors can focus entirely on active listening, vocal dynamics, and subtextual shifts. The piece allows both performers to demonstrate precise comedic timing before seamlessly shifting into a grounded, vulnerable emotional register.

    Best Suited For

    This piece is exceptionally well suited for actors aged 25 to 35 preparing self-tapes, agent showcases, or general scene study practice. It provides strong material for character actors, everyman performers, and those seeking to demonstrate authority, working-class authenticity, or emotional availability.

    Performance Tips

    Resist the urge to play the comedic delays as purely frustrating or caricature-driven. For Jud, keep the stakes of the inquiry urgent while honoring the clerical instinct to remain polite and open. For Louise, allow the conversational tangents to feel entirely natural rather than deliberately obstructive, ensuring that the final turn toward seeking comfort arrives as an honest, vulnerable impulse. Maintain tight pacing and sharp vocal cues to keep the telephone dynamic lively and engaging.

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