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    Film
    duologue
    Drama
    Thriller

    Maybe I Didn't Hit a Deer

    from Juror #2

    Written by Jonathan A. Abrams

    Juror #2

    Justin confesses to his friend Larry that he may have accidentally killed a woman, only to realize he has been selected for the jury in her case.

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    JUSTIN

    ... And so I went to clear my head and found myself at Rowdy's Hideaway.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From the contemporary dramatic film Juror #2 by Jonathan A. Abrams, this two-minute duologue captures a high-stakes confession between Justin and his confidant Larry. Justin recounts a rainy night when he assumed he had accidentally struck an animal, only to discover upon receiving a jury summons that a woman was found dead at the same location. As Justin grapples with mounting guilt and confusion, Larry confronts him with the devastating legal realities tied to his past history.

    Character Analysis

    Justin is an intense, vulnerable everyman in his thirties wrestling with an impossible moral dilemma. Desperate to do the right thing, he clings to the fragile hope that voluntary honesty will spare him from ruin. Larry is an older, grounded authority figure in his fifties who views the world with practical clarity. Rather than offering empty reassurance, Larry bluntly assesses how the justice system will interpret the incident, forcing Justin to confront the severity of his situation.

    Why This Works for Auditions

    This scene offers actors a tight, compelling narrative arc driven by secrets, legal peril, and buried guilt. The progression from quiet confession to sheer dread gives Justin ample room to showcase layered emotional vulnerability and rising panic. For Larry, the scene provides an exceptional test of active listening, stillness, and authority, allowing the actor to control the room simply by delivering harsh truths without melodrama.

    Best Suited For

    This piece is ideally suited for self-tape submissions, agent showcases, and general drama scene study. Actors in their late twenties or thirties fitting an intense, vulnerable, or working-class casting type will find Justin an effective vehicle for dramatic depth. Mature actors in their fifties can use Larry to demonstrate grounded pragmatism, gravitas, and commanding screen presence.

    Performance Tips

    Resist the urge to play the panic at full intensity right from the opening moment. Justin's realization should feel painful and hesitant, emerging piece by piece as the terrifying implications settle into his body. For Larry, keep your vocal delivery measured, steady, and clinical; the legal consequences carry far more weight when delivered with factual certainty rather than manufactured anger. Remember that the silence between the spoken revelations is where the true tension lives.

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