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    Drama

    Moonee Says Goodbye

    from The Florida Project

    Written by Sean Baker, Chris Bergoch

    The Florida Project

    As DCF workers attempt to place her in foster care, young Moonee escapes to say a heartbreaking final goodbye to her best friend Jancey.

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    Scene PreviewExcerpt — subscribe to read full scene

    ASHLEY

    Yes?

    DCF WORKER

    Hello, Miss. My name is Susan Watson and I’m with DCF. We have a quick favor to ask.

    MOONEE

    Ashley, what happened to your face?

    SCOOTY

    Hi, Moonee. My mom said you’re leaving?

    MOONEE

    It’s a temporary. We can do a hug or a high-five.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Drawn from Sean Baker and Chris Bergoch's contemporary drama The Florida Project, this emotional group scene captures a devastating turning point in a young girl's life. As representatives from child protective services arrive to place Moonee into foster care, her initial confusion quickly escalates into panic. Breaking away from the adults trying to manage her, Moonee runs across the motel complex to deliver an urgent, heartbreaking goodbye to her best friend, Jancey.

    Character Analysis

    Moonee is a spirited, working-class child whose tough exterior and fierce independence shield an immense vulnerability. Accustomed to freedom and relying on her instincts, she fights against the loss of control when institutional authority steps into her world. Jancey provides an innocent, grounding presence as Moonee's closest companion, serving as the safe haven where Moonee can finally drop her defenses and reveal her genuine terror and grief.

    Why This Works for Auditions

    This piece offers exceptional dramatic range for child actors within a compact two-minute duration. The scene shifts rapidly from street-smart resistance and confrontational defiance to overwhelming grief and raw honesty. Casting directors can immediately evaluate an actor's ability to handle high-stakes storytelling, natural pacing, and authentic childhood distress without relying on melodramatic clichés.

    Best Suited For

    This dramatic selection is ideal for young female performers under thirteen looking to embody vulnerable, working-class, or outsider casting types. It serves as powerful material for dramatic competition rounds, advanced classroom scene study, and high-caliber self-tape auditions requiring deep emotional access. Ensemble groups will also benefit from practicing the sharp contrast between bureaucratic authority and raw juvenile instinct.

    Performance Tips

    Do not start the scene in tears or pre-empt the final breakdown. Play the early moments with Moonee's characteristic grit, allowing the adult reality of the situation to slowly erode her confidence as she pieces together what is happening. Use the physical exertion of running and breathlessness to justify the sudden release of control when you finally stand face to face with your friend.

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