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    Tragedy
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    Mother, Give Me the Sun

    from Ghosts

    Written by Henrik Ibsen

    Oswald reveals his terminal brain disease to his mother and demands she assist his suicide when the final attack comes, leading to a harrowing climax.

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    Scene PreviewExcerpt — subscribe to read full scene

    OSWALD

    Yes, I'm glad you were able to rid me of all those fancies. And when I've got over this one thing more-- Now we will have a little talk, mother--

    MRS. ALVING

    Yes, let us.

    OSWALD

    And meantime the sun will be rising. And then you will know all. And then I shall not feel this dread any longer.

    MRS. ALVING

    What is it that I am to know?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This climactic duologue from Henrik Ibsen’s classical tragedy *Ghosts* brings an intense confrontation between Oswald and his mother, Mrs. Alving. Facing a fatal brain disease that he views as his birthright, Oswald finally breaks his silence and reveals the devastating truth about his condition. As the morning light approaches, the conversation moves from quiet dread into a harrowing plea for assisted suicide, forcing both characters to confront the fragile limits of family devotion.

    Character Analysis

    Oswald is a young man in his twenties paralyzed by impending madness and mortality. Beneath his urgent demands for calm lies an overwhelming terror of losing his mind, driving him to seek an unthinkable promise from the one person he trusts. Mrs. Alving is a protective matriarch whose entire world centers on her son's well-being. Caught completely off guard by his confession, she swings rapidly between maternal reassurance, shock, and desperate denial as the reality of his illness sets in.

    Why This Works for Auditions

    This scene offers exceptional dramatic range for two performers who can sustain high psychological stakes. Rather than relying on sudden outbursts, the tension builds steadily through quiet confession, desperate bargaining, and emotional exposure. Auditors get to see classical dialogue delivered with modern emotional realism, highlighting an actor's ability to handle tragedy, vulnerability, and complex relational dynamics in a compact four-to-five-minute window.

    Best Suited For

    This tragic duologue is ideally suited for drama school auditions, agent showcases, and general scene study practice. It provides a standout vehicle for an actor in the eighteen-to-twenty-five bracket playing an intense, vulnerable leading man alongside an actor suited for a powerful matriarch type.

    Performance Tips

    Resist the temptation to play the tragic outcome right from the start. Oswald must fight to maintain composure, using a steady, measured cadence to keep his mother from panicking while disguising the panic inside himself. For Mrs. Alving, focus on genuine active listening and the physical impact of each revelation as her defenses crumble. Anchor the scene in physical intimacy and hushed terror, letting the quiet desperation carry the emotional weight rather than unearned vocal strain.

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