Skip to content
    Tv
    duologue
    Drama

    Not Our Mother

    from The Fosters

    Written by Bradley Bredeweg

    The Fosters

    Jesus confronts Mariana after discovering his Ritalin is missing, leading to a heated argument about her secret contact with their birth mother.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    JESUS

    Brandon and Callie are missing... Where are you going?

    MARIANA

    What do you mean, missing?

    JESUS

    They never came home from school.

    MARIANA

    Oh. Huh. I guess Brandon went with her.

    JESUS

    Where?

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Not Our Mother in full, with access to 5,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In this intense contemporary drama from The Fosters, fifteen-year-old Jesus confronts his sister Mariana after discovering his prescription medication has vanished. The domestic interrogation quickly spirals into a raw revelation of betrayal when Mariana admits she took the pills to obtain money for their biological mother. This compact duologue explores deep themes of adoption, loyalty, and fractured trust between teenage siblings under acute emotional pressure.

    Character Analysis

    Jesus approaches the encounter with directness and protective frustration, feeling violated by the theft of his medication and stunned by the breach of family loyalty. His anger is rooted in a clear boundary about who his real parents are, making his disbelief both defensive and deeply personal. Mariana operates from a place of desperate vulnerability, driven by a longing to connect with her biological roots even if it requires deceit. Her evasiveness quickly crumbles into defensiveness, revealing a conflicted teenager burdened by secrets she cannot manage alone.

    Why This Works for Auditions

    This scene functions exceptionally well for auditions because it escalates organically from quiet suspicion to high-stakes emotional confrontation. The dialogue provides clear tactical shifts, allowing both actors to showcase active listening, physical tension, and grounded vulnerability without tipping into melodrama. It highlights maturity in young performers through complex subtext concerning identity, belonging, and differing perspectives on what defines a family.

    Best Suited For

    This material is ideally suited for teenage actors preparing for drama school auditions, agent showcases, self-tapes, or general partner practice. Performers who fit casting types centered on rebellious, intense, or vulnerable characters will find compelling material to showcase their dramatic range. It provides a balanced two-minute exchange where both roles share equal dramatic weight and urgent personal objectives.

    Performance Tips

    Resist the urge to play the argument at maximum volume from the start; allow the confrontation to build through evasive physical behavior and calculated questions. Use the spatial dynamic of the room to emphasize the feeling of entrapment, highlighting how the physical barrier increases Mariana's desperation to escape. Most importantly, ensure the conflict is anchored in their shared history as siblings, showing that the anger stems from genuine heartbreak rather than simple hostility.

    No ratings yet
    Sign in to rate