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    Drama

    Paddy Pitches Bob a Better Ending for All That Jazz

    from Fosse/Verdon

    Emmy WinnerGolden Globe

    Written by Steven Levenson

    Fosse/Verdon

    3 min · 2 characters · Any gender · 45-55

    During a walk in Central Park, Bob and Paddy debate the ending of Bob's new film and whether a character must change to create a satisfying story.

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    Scene PreviewExcerpt — subscribe to read full scene

    PADDY

    Thirty minutes a day of exercise. I can’t smoke. I can’t eat anything that tastes good. I can only work regular hours.

    BOB

    What does that mean, regular hours?

    PADDY

    Who the hell knows?

    Paddy spies a bench

    This is miserable. I’m done. We’re sitting.

    BOB

    It’s pretty lousy of you, I’ve got to say. I have a heart attack, so then you try to upstage…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Steven Levenson for the television series Fosse/Verdon, this three-minute dramatic duologue captures an intimate, candid conversation between two longtime creative peers, Bob and Paddy. Set during a stroll through Central Park as Bob prepares for pre-production on his new film, the discussion pivots from physical recovery following their respective heart attacks to a rigorous debate over narrative structure, character transformation, and artistic honesty. The exchange balances dry, affectionate humor with a sharp conflict over what makes a story truly satisfying to an audience.

    Character Analysis

    Bob is a driven, conflicted director wrestling with the script of a deeply autobiographical project just weeks before shooting begins. He actively resists conventional screenwriting formulas, arguing for raw, uncompromising truth rather than artificial redemption. Paddy is a seasoned, pragmatic, and articulate writer who cuts through Bob's artistic pretensions with classic dramatic theory. Despite his exhaustion and grievances about his health regimens, Paddy speaks with the unvarnished candor of an intellectual peer who genuinely cares about his friend's work and survival.

    Why This Works for Auditions

    This scene offers two performers a compelling showcase of intellectual stakes grounded in historical camaraderie. The rapid verbal sparring demands precise comedic timing, seamless listening, and a rhythm that feels authentic rather than theatrical. Because the conflict centers on contrasting creative philosophies and underlying questions of mortality, actors can highlight their ability to navigate sharp subtext, intellectual debate, and relaxed conversational intimacy without relying on external melodrama.

    Best Suited For

    This piece is exceptionally well suited for actors in the 45 to 55 age range seeking character-driven material for an agent showcase, self-tape, or general scene study practice. Performers aligned with casting types such as Leading Man, Character Actor, Intellectual, or Intense Artist will find rich psychological depth in either role. It also serves as an outstanding collaborative exercise for two performers aiming to display equal status and narrative weight on camera.

    Performance Tips

    Actors should resist the urge to play the debate as an antagonistic argument, anchoring the exchange instead in years of mutual respect and creative kinship. Allow the underlying physical reality of their recent health scares to shape your breath and physical presence naturally without overplaying weakness. Focus on the quick intellectual counterpunches, letting the comedy arise organically from the characters' blunt banter, differing worldviews, and complete lack of pretense with one another.

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