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    duologue
    Comedy-Drama
    Comedy

    Peter Chang on the Regs

    from Master of None

    Written by Aziz Ansari, Alan Yang

    Master of None

    Dev and Brian reflect on their immigrant parents' histories before realizing they've been sucked into an overwhelming group text with their fathers.

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    Scene PreviewExcerpt — subscribe to read full scene

    BRIAN

    That was great the other night, man. Never heard any of that shit before. What an insane journey. My dad used to bathe in a river, and now he drives a car that talks to him.

    DEV

    Crazy. So nuts to think every immigrant’s story is probably insane.

    BRIAN

    I’m so glad we did that. I can’t believe there’s a universe where I wouldn’t know that my dad…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Aziz Ansari and Alan Yang, this contemporary comedic duologue comes from the Emmy and Golden Globe-winning television series Master of None. In this scene, two close friends in their thirties reflect on the incredible sacrifices and hardships of their immigrant parents' upbringings. Their heartfelt conversation takes an unexpected turn into relatable comedy when they discover an overwhelming new group text started by their fathers.

    Character Analysis

    Dev is expressive, observant, and socially astute, tracking his parents' sudden digital camaraderie with equal parts affection and mild panic. Brian is more deadpan and pragmatic, balancing authentic respect for his family history with a firm desire to protect his personal boundaries. Together, they embody a recognizable dynamic between second-generation adult children who love their families deeply but prefer to engage with them in moderation.

    Why This Works for Auditions

    This piece offers actors a fantastic showcase for contemporary naturalism and grounded conversational banter. The writing transitions seamlessly from sincere emotional reflection to sharp situational comedy without ever feeling forced or theatrical. Casting directors can easily evaluate your comedic timing, your active listening, and your ability to bring spontaneous life to everyday technological interactions.

    Best Suited For

    This two-minute scene is ideally suited for male actors playing between twenty-five and thirty-five years old. It provides outstanding material for agent showcases, on-camera self-tapes, and scene study practice for performers targeting Everyman, Best Friend, and Young Professional casting types. It is particularly strong for actors seeking contemporary material focused on friendship, technology, and immigrant family dynamics.

    Performance Tips

    Treat the smartphone as an organic catalyst for the scene rather than an object that traps your gaze downward. Keep the opening reflections sincere so the sudden shift into panic over parental socializing lands with sharp comedic contrast. Resist the urge to play the comedy broadly; trust the understated writing, stay locked in with your partner, and let your micro-reactions do the heavy lifting.

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