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    Plotting with Alligators

    from A Very English Scandal

    Written by unknown

    A Very English Scandal

    Two men discuss a murder plot orchestrated by a powerful politician while hiding out on the coast. They grapple with the absurdity of the plan and the strange, magnetic hold the man has over their lives and loyalty.

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    Scene PreviewExcerpt — subscribe to read full scene

    BESSELL

    You get a funny sort of folk living on the shore. Like they’ve reached the edge of the world and can’t go any further. Artists and drop-outs, and failures like me. Still! I’ve not given up, I’ve got plans. I’m writing a children’s book. That’s what Diane’s doing, she’s illustrating it. It’s the story of Moon, a funny little chap from outer space…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary duologue, "Plotting with Alligators" from *A Very English Scandal*, immerses two men in the darkly comedic world of a botched murder plot. Set on an oceanside hut patio, Bessell and David navigate the absurd instructions of Jeremy, a powerful politician intending to dispose of a troublesome individual. Their discussion escalates from evasive pleasantries to macabre details involving alligators in the Florida Everglades. The scene reveals their deep-seated loyalty and reluctant complicity in an increasingly outlandish scheme, masterfully blending high-stakes absurdity with the underlying pathos of two men caught in another's manipulative web.

    Character Analysis

    Bessell initially appears defeated but hopeful, attempting to pivot to a new life writing children's books, a clear deflection from the grim reality David brings. He represents the everyman drawn into extraordinary circumstances, displaying naiveté, moral questioning, and a desire for escape. David, conversely, seems more directly entangled and initially compliant with Jeremy's demands, acting as the messenger and planner of the assassination. However, beneath his practical façade lies a similar reluctance and relief when Bessell voices their shared apprehension. Both characters are bound by a strange loyalty to the unseen Jeremy, highlighting themes of manipulation and human susceptibility.

    Why This Works for Auditions

    This scene is an excellent choice for auditions due to its immediate conflict, distinct character arcs, and compelling blend of comedy and drama. Actors can showcase a wide range of emotions, moving from avoidance and discomfort to hesitant plotting, then to profound relief, and finally to shared bewilderment and resignation. The shifting power dynamics and quick transitions between dark humor and genuine moral quandary provide rich material for demonstrating versatility and nuanced performance. Its contemporary setting and conversational tone make it feel grounded, while the unique premise ensures it stands out.

    Best Suited For

    "Plotting with Alligators" is particularly well-suited for male actors aged 35-45 looking to highlight their character acting abilities, especially those with a knack for dark comedy and subtle dramatic shifts. It's ideal for actors who can convey a sense of the everyman caught in extraordinary circumstances, or those comfortable portraying aspects of criminal or working-class types. This duologue shines in agent showcases, self-tapes, and general practice sessions, offering ample opportunity to explore loyalty, betrayal, and the peculiar nature of British humor.

    Performance Tips

    When approaching this scene, focus on the subtext and rapid shifts in emotional landscape. For Bessell, lean into his initial deflection and slow deflation as the murder plot is reintroduced, then his burgeoning hope when voicing doubt. For David, explore his initial commitment to Jeremy's plan and the palpable relief he experiences when Bessell opens the door to shared doubt. Pay close attention to the shared moment of relief and then the slow return of dread, emphasizing the bizarre hold Jeremy has over them. Remember that the "plotting with alligators" line encapsulates the scene's darkly comedic yet tragic core; play the absurdity without losing sight of the very real, albeit fantastical, threat.

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