Tv
group
Comedy-Drama
Thriller
3 Characters

Plotting with Alligators

from A Very English Scandal

Written by Russell T Davies

Two associates of a high-profile politician tentatively discuss a murder plot involving a swamp in Florida. They grapple with their mutual fear and loyalty toward their employer, realizing the absurdity of their situation while acknowledging his dangerous influence over them.

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62 EXT. BESSELL’S OCEANSIDE HUT - DAY 62

BESSELL

You get a funny sort of folk living on the shore. Like they’ve reached the edge of the world and can’t go

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling group scene, "Plotting with Alligators," thrusts two anxious men, Bessell and David, into a darkly comedic conversation about a proposed murder plot. Set against a seemingly idyllic oceanside backdrop, the initial small talk quickly gives way to the chilling details of eliminating a political rival, revealing their mutual unease and the absurd lengths they might go to for their influential employer. The tension escalates as they discuss logistics, culminating in a shared moment of relief and nascent camaraderie when they confess their true feelings about the preposterous plan.

Character Analysis

Bessell initially attempts to deflect from the dangerous topic, displaying a desire for normalcy and even creativity with his children's book project, contrasting sharply with the grim reality he’s forced to confront. He is the more reluctant and reflective of the two, seeking an exit from the moral dilemma. David, while seemingly more pragmatic in his immediate acceptance of the task, also quickly reveals his own deep-seated reservations, highlighting his susceptibility to influence despite his underlying decency. Both characters grapple with their loyalty and fear, revealing complex inner lives beneath the surface of their desperate circumstances.

Why This Works for Auditions

This scene offers fantastic opportunities for actors to showcase a broad range of emotional shifts within a short duration. The rapid transition from nervous avoidance to a detailed, almost casual discussion of murder, then to palpable relief and shared humanity, demonstrates excellent dynamic range. It allows performers to explore dark humor, underlying fear, social awkwardness, and genuine connection, all while navigating the implications of a high-stakes, morally ambiguous situation. The shift from individual anxiety to collective disbelief is particularly effective for highlighting nuanced performance.

Best Suited For

This scene is ideally suited for character actors within the 35-45 age range who excel at portraying complex, morally conflicted individuals with a strong sense of internal life. It’s perfect for those comfortable with dark comedy and who can convey vulnerability and desperation alongside an outward appearance of complicity. Actors being considered for roles as anti-heroes, men caught in political webs, or even "everyman" types facing extraordinary circumstances will find this piece particularly effective. It works well for agent showcases, self-tapes, or general practice to hone character development.

Performance Tips

Focus on the subtext and unspoken anxieties that drive Bessell and David's interactions, particularly in the initial moments of deflection and vague agreement. Allow the absurdity of the situation to inform your choices, finding the dark humor in their increasingly outlandish suggestions for the murder plot. Pay close attention to the pivotal moment where both characters confess their reluctance, letting the relief flood through you and create a genuine, albeit temporary, bond between them. Emphasize the underlying influence their employer holds, manifesting as a subtle fear that colors their entire exchange, even in their shared moments of levity.

CharactersBessell, Jump Cut, David
Duration2-3 minutes
Age Range35-45
GenderMale
GenreComedy-Drama
PeriodContemporary
Formatgroup
SourceA Very English Scandal
Tonedark
AccentBritish
Suitable Foragent showcase, self tape, general practice
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