Musical
monologue
Musical

Queen Aggravain's Marriage Demands

from Once Upon a Mattress

Written by Jay Thompson, Marshall Barer, Dean Fuller

Once Upon a Mattress

Queen Aggravain relentlessly pressures her son, Prince Dauntless, to find a wife and secure the royal succession. Her objective is to maintain control over the kingdom and her son's life through a series of impossible marriage tests, highlighting her overbearing and manipulative nature.

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QUEEN AGGRAVAIN

I want you to get married. How many times have I said to you I want you to get married? Only this morning I was saying to your father, I said, “Sextimus, I want that boy to get married. It just isn’t normal for a boy that age to stay single,” I said. “After all, he’s a prince, don’t forget that, and he is next in line for the throne.

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Scene Notes & Audition Tips

5 sections
About This Scene

This monologue introduces Queen Aggravain's dominating personality and her singular focus on her son's marriage. It immediately establishes her as a powerful, albeit overbearing, matriarch whose desire for control extends to every aspect of the kingdom and her son's personal life. The scene is critical in setting up the central conflict of the musical, highlighting the impossible standards she imposes on potential brides to maintain her authority.

Character Analysis

Queen Aggravain is a formidable and manipulative character, deeply rooted in her role as a ruler and mother. Her actions are driven by a need for absolute control, evident in her constant pressure on Prince Dauntless to marry, but only on her terms. She views marriage as a tool for succession and stability, intrinsically linked to her own power. Underneath her commanding exterior likely lies a desperate fear of losing her influence, making her both powerful and, in her own way, vulnerable.

Why This Works for Auditions

This monologue is a fantastic choice for auditions because it showcases an actor's ability to embody a strong, authoritative character with a clear objective. It allows for a wide range of vocal and physical expression, from stern commands to perhaps a touch of exasperation or underlying anxiety. The tone is powerful and comedic, allowing performers to demonstrate both their dramatic presence and their capacity for nuanced humor, which is highly sought after in musical theatre.

Best Suited For

This monologue is best suited for female actors aged 45-55 who excel at playing character roles, authority figures, or even comedic villains. It's ideal for those comfortable portraying characters with a strong, imposing stage presence and a commanding vocal delivery. Actors who can tap into both the powerful and subtly humorous aspects of an overbearing matriarch will find this a particularly strong vehicle to display their talents.

Performance Tips

When performing this monologue, focus on Queen Aggravain’s relentless drive and her underlying need for control. Consider how her words are not just demands but also a demonstration of her power. Experiment with pacing – allowing moments of stern delivery to contrast with quicker, more insistent phrases to convey her impatience. Pay attention to the comedic potential in her self-importance and thinly veiled manipulation, letting her dominant personality shine through without becoming a caricature.

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