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    Film
    duologue
    Drama

    Shawn's 'Two Types of Men' Monologue

    from Run All Night

    Written by Brad Ingelsby

    Run All Night

    2 min · 2 characters · Any gender · 45-55

    Shawn reflects on a pivotal childhood decision while explaining his life of crime and the consequences of his choices to Pat.

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    Scene PreviewExcerpt — subscribe to read full scene

    PAT

    Want some more coffee?

    SHAWN

    When I was sixteen, Richie Conners called me over to his house. He knew I was pullin’ small jobs here and there and he asked me if I wanted to come work for him. Don’t make a decision now, he said. Go home. Sleep on it. Come back and see me in the morning. Here’s what I want you to think about: There are two types of men…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Brad Ingelsby for the film Run All Night, this contemporary dramatic scene unfolds late at night in a quiet hospital cafeteria. While waiting to sign paperwork with Pat, Shawn steps back from the immediate pressure of the present to share a defining memory from youth. The scene centers on Shawn's realization of when a pivotal life decision was made, contrasting an honest, modest existence with a volatile life outside the law.

    Character Analysis

    Shawn is an experienced, weary figure who has spent decades living with the heavy consequences of a reckless, criminal past. Beneath Shawn's tough exterior lies a deeply reflective soul confronting how an early hunger for significance shaped a complicated legacy. Pat serves as an observant, grounded confidant whose quiet presence prompts Shawn to voice these long-buried truths about regret and identity.

    Why This Works for Auditions

    The scene functions brilliantly as an audition piece because it avoids explosive shouting in favor of grounded, intimate storytelling. An actor must hold an auditor's attention entirely through vocal phrasing, subtext, and authentic internal discovery rather than broad physical action. It offers a sophisticated vehicle to display genuine vulnerability within a gritty, hardened persona, leaving a lasting impression on casting directors.

    Best Suited For

    This piece is exceptionally well suited for mature performers in the 45 to 55 age bracket who lean into anti-hero, working-class, or grounded character actor types. Because of its personal focus and contained physical space, it works seamlessly for self-tapes, agent showcases, and advanced scene study practice. It can easily be prepared as a compelling duologue or adapted as an audition monologue.

    Performance Tips

    Resist the temptation to romanticize the memory or deliver the speech like a rehearsed philosophical lecture. Keep the energy rooted in the sterile stillness of the hospital cafeteria, allowing the realization at the end to emerge organically in the moment. Play the scene directly to Pat, using the listener as the sounding board that forces Shawn to finally articulate where everything went wrong.

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