Film
duologue
Drama

Sneaking Around

from May December

Written by Samy Burch

May December

Elizabeth, an actress researching a role, visits Joe at his workplace to discuss his past. The conversation shifts from small talk about his job to a provocative comment by Elizabeth that blurs the lines between her research and their current reality.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse this scene
Rehearse on your terms

Choose your role and voices for the other characters. Run the scene at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

ELIZABETH

How'd he do it?

JOE

Skateboarding off the roof. Birthday party.

ELIZABETH

Can I see?

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read Sneaking Around in full, with access to 3,000+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This compelling duologue from the film *May December* presents a charged encounter between Elizabeth and Joe, set in a contemporary period. Elizabeth, an actress, visits Joe under the guise of research for a role, but the conversation quickly veers into deeply personal and manipulative territory. The scene artfully builds tension from seemingly innocuous small talk to a shocking, provocative statement that leaves both characters, and the audience, questioning motivations and boundaries.

Character Analysis

Elizabeth is a complex character, portrayed here with an intense and subtly manipulative tone, driven by her "research" but clearly pushing personal boundaries. She navigates the conversation with a calculated charm, using flirtation and vulnerability as tools to achieve her goals. Joe, in contrast, appears more grounded and initially unsuspecting, perhaps an Everyman type, whose calm demeanor is slowly eroded by Elizabeth's probing. His initial politeness gives way to palpable discomfort and a sudden, quiet shift when Elizabeth drops her bombshell.

Why This Works for Auditions

This scene is an excellent choice for auditions due to its immediate conflict and the deep subtext embedded in every line. It provides a fantastic opportunity for actors to showcase nuanced performances, moving from casual interaction to intense, awkward confrontation within a short duration. The shifting power dynamics and the ambiguous nature of Elizabeth's intentions offer rich material for demonstrating a wide emotional range and sophisticated understanding of character. The clear arc of the scene ensures that casting directors will see a complete performance.

Best Suited For

This scene is particularly well-suited for actors in the 25-35 age range, especially those looking to portray a Leading Lady, Leading Man, Everyman, Vulnerable, or Sophisticated casting type. It's ideal for agent-showcase and self-tape submissions where conveying intense emotional shifts and intelligent character work is paramount. Actors who excel at portraying characters with hidden agendas or those grappling with subtle manipulation will find this material highly effective.

Performance Tips

For Elizabeth, focus on the subtext beneath her seemingly innocent questions and comments, letting her calculated flirtation and underlying agenda drive her delivery. Pay close attention to her shifts in tone and physical presence as she subtly encroaches on Joe's personal space and comfort. For Joe, the key is to react authentically to Elizabeth's escalating provocations, allowing his discomfort to build incrementally before the final, impactful freeze. Both actors should explore the awkwardness and the moment of prolonged eye contact, making the "just a joke" line a layered attempt to diffuse real tension.

Explore this topic