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    Someone Has to Start Telling the Truth

    from Chernobyl

    Written by Craig Mazin

    Chernobyl

    Khomyuk and Shcherbina debate whether Legasov should expose the Soviet Union's nuclear flaws in Vienna or make a dangerous deal with the KGB.

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    KHOMYUK

    And is that what you're going to say? In Vienna? Valery, you have to tell the truth. All of it.

    SHCHERBINA

    You can't possibly be that naive.

    KHOMYUK

    There are 16 RBMK reactors running right now in the Soviet Union. We have to fix them, and the only way to make that happen is to go public. In Vienna, in the West, and force the Central Committee…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Craig Mazin for the acclaimed television drama Chernobyl, this gripping duologue features an intense debate between Khomyuk and Shcherbina. In the aftermath of a catastrophic nuclear disaster in the Soviet Union, the two grapple with sacrifice, politics, and moral responsibility. The central conflict revolves around whether to expose fatal reactor flaws to the world or strike a secretive, dangerous bargain with the KGB.

    Character Analysis

    Khomyuk represents unyielding scientific morality, driven by an urgent need to hold dangerous systems accountable regardless of personal cost. Shcherbina, an entrenched authority figure and long-time servant of the state, embodies hard-earned pragmatism and the cold instinct for survival. Both characters operate from profound conviction, creating an electric dynamic between an uncompromised search for truth and a desperate attempt to protect lives from state retribution.

    Why This Works for Auditions

    This scene offers actors an exceptional dramatic showcase that builds sustained tension through intellect and emotional stakes rather than physical spectacle. It allows performers to demonstrate remarkable vocal restraint, intense active listening, and the ability to convey profound subtext under pressure. Casting panels and agents get to see mature actors handle complex ethical dilemmas with gravitas, depth, and fierce vulnerability.

    Best Suited For

    This piece is ideal for actors castable in their late thirties through sixties who naturally project authority, intellectual rigor, or deep emotional intensity. It is wonderfully suited for self-tapes, agent showcases, drama school auditions, and general practice where actors need to display dramatic weight, status battles, and serious emotional range.

    Performance Tips

    Keep the volume contained and avoid letting the debate turn into a shouting match. The terror of the Soviet political apparatus is best conveyed through measured, deliberate choices and physical stillness. For Shcherbina, tap into the exhaustion and grim reality of an experienced patriarch trying to keep people alive. For Khomyuk, ensure your moral clarity is rooted in real human grief rather than detached self-righteousness, grounding every argument in the devastating cost of silence.

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