Film
duologue
Romance
Comedy

Surreal But Nice

from Notting Hill

Written by Richard Curtis

Notting Hill

A bumbling bookstore owner attempts to charm a famous movie star with awkward hospitality before she leaves his flat.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse this scene
Rehearse on your terms

Choose your role and voices for the other characters. Run the scene at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

WILLIAM

Would you like a cup of tea before you go?

ANNA

No thanks.

WILLIAM

Coffee?

ANNA

No.

WILLIAM

Orange juice -- probably not.

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read Surreal But Nice in full, with access to 4,000+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This charming duologue, titled "Surreal But Nice," comes from the beloved romantic comedy *Notting Hill*. It captures a pivotal moment between William, a bumbling bookstore owner, and Anna, a famous movie star, set in William's quaint kitchen and corridor. The scene perfectly encapsulates the awkward yet endearing "meet-cute" dynamic, as William struggles with hospitality and an unexpected attraction before Anna's departure, only for her to return for a forgotten item, leading to a surprising and intimate moment. The dialogue is characteristic of Richard Curtis's quirky and heartfelt writing, showcasing contemporary romance with a distinctly British comedic touch.

Character Analysis

William is the quintessential everyman, charming in his awkwardness and utterly disarmed by Anna's presence. He struggles to articulate his thoughts, often resorting to rambling or self-deprecating humor, which paradoxically makes him more appealing. Anna, on the other hand, is outwardly poised and sophisticated, accustomed to navigating fame, but beneath that exterior, she is open to genuine connection and perhaps a little intrigued by William's unpolished charm. Her initial reserve gives way to a surprising act of intimacy, revealing a depth beyond her celebrity status. Both characters are in their 30s, navigating the complexities of unexpected attraction.

Why This Works for Auditions

This scene is an excellent choice for auditions because it offers a wide range of emotional beats within a short duration. Actors can showcase vulnerability, comedic timing through awkwardness, and the subtle build-up of romantic tension. The dialogue provides ample opportunity for nuanced reactions and non-verbal communication, which are crucial for self-tapes and agent showcases. Its contemporary setting and universal theme of unexpected connection also make it highly relatable and adaptable for various casting scenarios, highlighting an actor's ability to create a genuine connection.

Best Suited For

"Surreal But Nice" is ideally suited for actors in the 25-35 age range looking to demonstrate their ability to play romantic leads with a comedic edge. It's particularly effective for those embodying "Everyman" or "Leading Lady" types, especially if they can lean into charming, awkward, or quirky sensibilities. The duologue is perfect for showcasing naturalistic acting, strong reactive skills, and the ability to build chemistry quickly, making it suitable for both general practice and high-stakes agent or casting director showcases.

Performance Tips

When approaching this scene, embrace the inherent awkwardness and allow it to fuel the charm rather than hinder it. For William, focus on his internal monologue and the sheer disbelief of the situation, letting his verbal fumbles highlight his genuine sweetness. For Anna, play her initial reserve as a protective shell that slowly cracks under William's disarming nature; her eventual action should feel earned and impulsive. Pay close attention to the pauses and non-verbal cues in the text, as these moments are critical for building tension and revealing character without dialogue. Remember that the "surreal but nice" feeling applies to both characters' experiences.

Explore this topic