Film
duologue
Drama
Comedy-Drama

Talking to the Coma

from Descendants

Written by Alexander Payne

Descendants

Matt tries to convince his resistant young daughter Scottie to speak to her comatose mother, leading to a tense and awkward exchange.

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Scene PreviewExcerpt — subscribe to read full scene

MATT

I wish you’d stop doing that. And rather than taking her picture all the time, you should talk to her. I’m tired of asking you. You heard Dr. Johnston -- people in a coma can hear you -- you know, well, some of them can. It lets them know they’re still loved, might even help them wake up sooner. And it’ll help you express whatever feelings and…

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Scene Notes & Audition Tips

5 sections
About This Scene

Set in a quiet hospital room, this contemporary dramatic duologue captures a fraught exchange between a father and his young daughter. Matt desperately tries to encourage Scottie to speak to her comatose mother, hoping it will aid recovery and provide an emotional outlet. Instead, their dialogue devolves into a prickly, awkward negotiation that exposes the family's deep distress and difficulty communicating under immense pressure.

Character Analysis

Matt is an ordinary parent navigating an extraordinary, terrifying crisis. He attempts to manage his own grief by controlling Scottie's reactions, masking his panic behind practical advice and parental authority. Scottie, at just ten years old, uses stubbornness, deflection, and mundane complaints to protect herself from the terrifying reality in front of her. Her resistance is not mere defiance, but a child's natural defense against unbearable vulnerability.

Why This Works for Auditions

This piece avoids sensational melodrama, grounding grief in everyday, relatable tension. Audition panels respond well to scenes where intense emotional stakes simmer beneath mundane disputes over snacks, school, and daily routines. It gives the adult actor an opportunity to portray a complex Everyman struggling with patience, while offering a strong platform for dynamic subtext and truthful listening between two performers.

Best Suited For

This scene is best suited for actors in the forty-five to fifty-five age bracket targeting Everyman, Parent, or Working Class roles. It works exceptionally well for self-tapes, agent showcases, and general practice where actors need to demonstrate subtle emotional range and grounded realism in a contemporary drama.

Performance Tips

Avoid the trap of playing generalized sadness or playing the tragic circumstance of the hospital. Focus entirely on your immediate objective, whether that is compelling your daughter to talk or dodging an uncomfortable emotional expectation. Matt should let his frustration stem from profound love and helplessness rather than simple anger. For both actors, keeping the conversation clipped and realistic will make the underlying heartbreak hit much harder.

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