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duologue
Tragedy
Drama

The Aftermath of Murder

from Macbeth

Written by William Shakespeare

The Aftermath of Murder from Macbeth — audition scene

Immediately after murdering King Duncan, a panicked Macbeth reunites with Lady Macbeth, struggling with his guilt and the blood on his hands.

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Scene PreviewExcerpt — subscribe to read full scene

MACBETH

I have done the deed.—Didst thou not hear a noise?

LADY MACBETH

I heard the owl scream and the crickets cry. Did not you speak?

MACBETH

When?

LADY MACBETH

Now.

MACBETH

As I descended?

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Scene Notes & Audition Tips

5 sections
About This Scene

This pivotal duologue, titled "The Aftermath of Murder," plunges directly into the harrowing moments following Macbeth’s assassination of King Duncan. Shakespeare masterfully captures the immediate psychological fallout of the heinous act as Macbeth, still reeling and haunted, encounters Lady Macbeth. The scene crackles with intense paranoia, palpable guilt, and the desperate struggle for composure, marking a dramatic turning point in the play and solidifying the couple's complicity in their tragic fate. It perfectly illustrates the immediate consequences of their ambition and the profound internal turmoil that begins to consume them both.

Character Analysis

Macbeth in this scene is a man shattered by his own actions, riddled with profound guilt and auditory hallucinations. He is deeply vulnerable, struggling to reconcile the deed with his conscience, and unable to utter a simple "Amen." Lady Macbeth, in stark contrast, is initially the picture of resolve and practicality, attempting to control the situation and her husband’s spiraling emotions. Her strength, though chilling, reveals a ruthless determination to solidify their power, even as she subtly begins to show the first cracks in her composure when Macbeth refuses to return the daggers.

Why This Works for Auditions

This duologue is an exceptional choice for auditions due to its raw emotional intensity and the complex psychological journeys of both characters. It offers substantial opportunities for actors to showcase a wide range of emotions—from terror and regret to ruthless determination and mounting panic—within a classical framework. The immediate, high-stakes conflict between the two, coupled with the profound internal struggles of each, provides a rich canvas for demonstrating nuanced acting choices and strong vocal projection. The scene's defined emotional arc also allows for a compelling, complete performance within the typical audition timeframe.

Best Suited For

This scene is particularly well-suited for actors in the 35-45 age range, aligning with the characters’ established ages and the maturity required to portray such complex themes. It is ideal for those aiming for roles requiring intense dramatic prowess, classical text handling, and a deep understanding of human psychology under extreme duress. Actors who excel at conveying profound internal conflict, ambition, and the corrosive nature of guilt will find this piece allows them to shine. It serves both Leading Man and Leading Lady casting types who can embody figures of power and tragedy.

Performance Tips

Focus on the immediate physical and vocal states each character embodies; Macbeth’s trembling fear and Lady Macbeth’s steely control should be evident from the first line. For Macbeth, explore the internal battle between the physical act and its moral implications, allowing his guilt to manifest in his voice and gaze, particularly when discussing his inability to say "Amen." For Lady Macbeth, find the tension between her outward composure and the immense pressure she is under, letting her frustration with Macbeth’s weakness build. Pay close attention to the rhythm and imagery of Shakespeare’s language, using it to inform your character's emotional truth and heighten the scene's tragic tone.

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