Film
monologue
Drama
Thriller

The Business We've Chosen

from The Godfather Part II

Written by Mario Puzo, Francis Ford Coppola

The Godfather Part II

Hyman Roth reminisces about the murder of Moe Greene to Michael Corleone, asserting that personal feelings have no place in their business dealings.

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ROTH

There was this kid that I grew up with; he was a couple years younger than me, and sort of looked up to me, you know. We did our first work together, worked our way out of the street. Things were good and we made the most of it. During prohibition, we ran molasses up to Canada and made a fortune; your father too. I guess as much as anyone, I loved…

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Scene Notes & Audition Tips

5 sections
About This Scene

This powerful monologue features Hyman Roth, a seasoned and calculating crime boss, reflecting on the fate of his old associate, Moe Greene. Set against the backdrop of high-stakes business dealings, Roth uses the memory of Greene's violent demise to deliver a chilling message about loyalty, pragmatism, and the brutal realities of their world. He frames Greene's murder as an inevitable consequence of stepping out of line, subtly threatening his current "partner" while maintaining an outwardly calm and almost philosophical demeanor.

Character Analysis

Roth is a master manipulator, presenting himself as a grandfatherly figure while harboring an iron will and a ruthless intellect. In this scene, he embodies the archetype of a patriarch and criminal mastermind, revealing a deep understanding of human nature and the cutthroat principles that govern his empire. He is intensely focused, with an almost unnerving calm that masks a capacity for extreme violence and strategic thinking. Actors should explore Roth's underlying intensity and his ability to convey profound threats through understated delivery.

Why This Works for Auditions

This monologue is exceptional for auditions because it showcases an actor's ability to command a scene through nuanced performance rather than overt histrionics. It requires a sophisticated understanding of subtext, allowing an actor to convey menace and power with controlled intensity. The narrative journey within the monologue, from reminiscing about a past friendship to delivering a cold ultimatum, provides ample opportunity to demonstrate range and dynamic shifts in intention, making it ideal for casting directors seeking depth and gravitas.

Best Suited For

This monologue is best suited for male actors aged 55 and above, particularly those who can embody an authoritative and potentially villainous presence. It's excellent for actors looking to portray complex characters who exude power and intelligence, making it perfect for roles such as a crime boss, a cunning corporate executive, or any figure of significant authority with a darker edge. Its demanding nature also makes it highly suitable for agent showcases and self-tapes where an actor aims to impress with subtlety and gravitas.

Performance Tips

When performing this monologue, focus on Roth's measured delivery and the deliberate pacing of his words. Allow his seemingly calm exterior to hint at the vast depths of experience and resolve beneath. Pay close attention to how Roth uses the story of Moe Greene to communicate an unspoken threat; the true power lies in the implication, not in shouting. Explore the shift from nostalgic remembrance to steely resolve, ensuring the transition feels earned and deeply rooted in Roth's character, highlighting his intense focus on "business" above all else.

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