Film
monologue
Drama
Thriller

The Business We've Chosen

from The Godfather Part II

Written by Mario Puzo, Francis Ford Coppola

The Godfather Part II

Hyman Roth reminisces about the murder of Moe Greene to Michael Corleone, asserting that personal feelings have no place in their business dealings.

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ROTH

There was this kid that I grew up with; he was a couple years younger than me, and sort of looked up to me, you know. We did our first work together, worked our way out of the street. Things were good and we made the most of it. During prohibition, we ran molasses up to Canada and made a fortune; your father too. I guess as much as anyone, I loved…

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling monologue from *The Godfather Part II* features Hyman Roth reflecting on his profession's complexities. Addressing Michael Corleone, Roth discusses his personal history with Moe Greene, whose ambition and demise profoundly shaped his worldview. The scene is a masterclass in controlled intensity, revealing a character who prioritizes business logic over personal sentiment, even facing betrayal and violence. It offers a rich tapestry for an actor to explore themes of loyalty, power, and the criminal underworld's cold calculations.

Character Analysis

Hyman Roth is presented as a seasoned, calculating patriarch whose advanced age has sharpened his perspective. He exudes quiet menace, delivering reflections with a chilling calm that belies the brutal subject. Roth’s deep understanding of loyalty is complicated by his pragmatic acceptance of its limits, especially when conflicting with "the business." He views personal feelings as weaknesses to be compartmentalized or dismissed, revealing a character driven by a relentless pursuit of power and profit. This monologue uncovers his capacity for cold detachment, even toward those he once held dear.

Why This Works for Auditions

This monologue is an exceptional choice for auditions due to its immediate dramatic impact and the profound depth it allows actors to explore. It showcases a character's ability to convey complex emotions or their suppression through subtle shifts in tone. The piece provides ample opportunity to demonstrate gravitas, intelligence, and a commanding presence without resorting to overt histrionics. Its intense nature and mature subject matter demand a nuanced performance, making it an excellent vehicle to highlight an actor's range and ability to embody a powerful, multi-layered figure.

Best Suited For

This monologue is ideally suited for male actors aged 55 and above, particularly those aiming for roles requiring authority, cunning, or a morally ambiguous edge. It is perfect for actors targeting casting types such as Villains, Patriarchs, Authority Figures, or Criminals, especially for modern-classic period projects. The piece works wonderfully for agent showcases, self-tapes, and general practice, allowing an actor to demonstrate command of intense dramatic material. It’s a strong choice for those portraying a character who wields power through intellectual control rather than brute force.

Performance Tips

Approach this monologue with a focus on internal stillness and calm, deliberate delivery. Roth's power lies in his understated menace; avoid overplaying the "villain" aspect. Instead, concentrate on the character's intellectual superiority and the weight of his experience. Explore subtle shifts in his emotional landscape as he recalls his relationship with Moe Greene, moving from past affection to a cold, business-like acceptance of his fate. Pay close attention to the subtext of each line, particularly how Roth uses this story to assert his dominance and communicate a clear message to Michael.

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