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    Film
    duologue
    Comedy-Drama
    Drama

    The Columbia Proposal

    from Infinitely Polar Bear

    Written by Maya Forbes

    Infinitely Polar Bear

    Maggie proposes that Cam, who struggles with bipolar disorder, take full custody of their daughters while she pursues an MBA in New York.

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    Scene PreviewExcerpt — subscribe to read full scene

    MAGGIE

    Cam, I got into business school.

    CAM

    Maggie Stuart, you are some punkins. I wish I had some of that bourgeois midwestern can-do.

    MAGGIE

    I got a scholarship. To Columbia.

    CAM

    Wait. You can’t take the girls to New York.

    MAGGIE

    No. I can’t even afford a studio apartment in New York. Jenny said her mother has a small room she can rent me.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary comedy-drama duologue from Maya Forbes' film Infinitely Polar Bear captures a pivotal crossroad for an estranged couple. Maggie shares life-altering news with Cam, revealing that she has earned a business school scholarship in New York. To pull their household out of financial hardship, she proposes that Cam take full responsibility for their two daughters while she completes her degree.

    Character Analysis

    Maggie is a driven, pragmatic mother who refuses to let poverty derail her children's future. She balances real personal vulnerability with resolute optimism, carefully managing Cam's self-doubt while asserting her own ambition. Cam is an affectionate yet fragile father navigating the realities of bipolar disorder. He struggles to trust his own capabilities, oscillating between a yearning to support his daughters and sheer panic over everyday domestic routine.

    Why This Works for Auditions

    This scene gives two actors the opportunity to navigate high-stakes relationship negotiation with tenderness, humor, and subtext. Rather than shouting or melodramatic conflict, the tension relies on tactical persuasion and genuine emotional stakes. Casting directors will observe whether you can convey shared history, active listening, and complex tonal balance within a compact contemporary exchange.

    Best Suited For

    This piece is an ideal fit for actors in their late twenties or thirties playing Leading Lady, Leading Man, or Everyman types. It is particularly well tailored for drama school auditions, self-tape submissions, agent showcases, and general partner practice. Performers who excel at portraying vulnerable, grounded characters facing relatable real-world pressures will find substantial material here.

    Performance Tips

    Resist the urge to play the scene with heavy, somber drama; lean instead into the natural warmth and eccentric wit that connects these two people. Maggie should focus on pitching the plan with quiet conviction and affection, never patronizing Cam even when addressing his fears. Cam must let the practical overwhelm of daily domestic tasks register through honest physical and vocal shifts. Keep the tempo lively, allowing the mutual love and survival instincts of both parents to drive the conversation forward.

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