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    Film
    duologue
    Drama
    Thriller

    The Confession of Kelsie Morrison

    from Killers of the Flower Moon

    Written by Eric Roth, Martin Scorsese

    Killers of the Flower Moon

    A prosecutor interrogates a cold-blooded killer about the calculated execution of Anna Brown in a remote canyon.

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    Scene PreviewExcerpt — subscribe to read full scene

    PROSECUTOR LEAWARD

    ... how did you come to kill Anna Brown?

    KELSIE

    I was hired by W.K. Hale.

    PROSECUTOR LEAWARD

    What did he say to you?

    KELSIE

    I was to get a thousand dollars and the money I owed him which was six hundred dollars.

    PROSECUTOR LEAWARD

    Now you say you killed Anna Brown?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Eric Roth and Martin Scorsese for the dramatic film Killers of the Flower Moon, this two-person scene depicts a chilling courtroom interrogation. Prosecutor Leaward systematically questions Kelsie Morrison regarding his direct involvement in the premeditated murder of Anna Brown in Three Mile Canyon. The interaction unfolds with steady, stark gravity as the brutal details of the conspiracy are established on the official record.

    Character Analysis

    Prosecutor Leaward is a composed authority figure determined to document the precise reality of a terrible crime. He drives the examination with razor-sharp discipline, using measured questions to highlight the horrific nature of the deed without losing his legal focus. Kelsie Morrison is a gritty, cold-blooded criminal whose power comes from his complete lack of remorse. He answers each inquiry in a direct, utilitarian manner, treating calculated violence as everyday business rather than an act of malice.

    Why This Works for Auditions

    This duologue provides a vivid study in contrast between an assertive investigator and an unflinching witness. The tight, rhythmic question-and-answer structure demands sharp active listening and genuine reaction from both performers. Because neither character relies on outward histrionics, the scene serves as a compelling platform to demonstrate subtext, stillness, and psychological depth under pressure.

    Best Suited For

    This piece is best suited for male actors in their thirties and forties preparing dramatic material for agent showcases, self-tapes, or craft development. It provides strong character work for actors looking to audition for authority figures, lawyers, or hardened, morally bankrupt suspects. Running approximately two to three minutes, it allows both scene partners to display exceptional focus and tension without needing elaborate physical staging.

    Performance Tips

    Avoid playing the horrific subject matter with broad emotional distress or theatrical villainy. For Kelsie, the scene works best when the chilling facts are delivered as plain statements of reality, relying on an unsettling, matter-of-fact calm. For Leaward, avoid rushing the pace or shouting down the witness; let the tactical progression of your questioning carry the moral weight. Pay close attention to the beats between the questions, allowing each response to genuinely inform the next inquiry.

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