
Stanley, a recently released convict, calls his ex-wife Melissa to speak with their daughter, Holly. The conversation quickly turns hostile as Melissa threatens him with legal action and asserts that her wealthy new husband is now the girl's father, leaving Stanley in a state of desperate rage.
MELISSA: Hello.
STANLEY: Melissa... Holly home?
MELISSA: Stanley. Why are you calling here?
STANLEY: I want to talk with Holly.
MELISSA: It's twelve-thirty, Stanley. She's in school. You know it's illegal for you to talk to her.
STANLEY: Don't do this, Mel. It's not good for Holly --
MELISSA: How th
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
More from Swordfish
The Dog Day Afternoon Analogy
from Swordfish
Gabriel delivers a chilling philosophical monologue about the nature of violence and media in modern cinema. He challenges his companions to imagine a version of 'Dog Day Afternoon' where the protagonist ruthlessly executes hostages to force the government's hand.
The Patriot's Justification
from Swordfish
Gabriel reveals his true identity and ideological motivations to a skeptical Stanley. He explains that his criminal actions are part of a larger, covert mission to protect American freedoms, justifying his violence as a necessary cost of war.