Play
duologue
Drama
2 Characters

The Glasses

from The Children

Written by Lucy Kirkwood

Hazel recounts to Robin her unsettling first encounter with Rose, focusing on Rose's uncanny familiarity with their home. The conversation reveals underlying tension and suspicion between Hazel and Robin regarding Rose's presence and intentions.

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HAZEL. I'd been out in the sun all afternoon and then I came indoors.I turned my back for a moment and suddenly she was just standing here,it scared me.Even after I realised... she's just got that sort of presence,hasn't she,like when the TV licence people come and even though you know you've got one you feel guilty,I couldn't stop talking,burbling on

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Scene Notes & Audition Tips

5 sections
About This Scene

This contemporary duologue from Lucy Kirkwood's play *The Children* offers an intense glimpse into a marriage riddled with anxiety and unspoken secrets. Hazel recounts a unsettling first encounter with Rose, focusing on Rose's unnerving familiarity with their home, specifically her direct knowledge of where their glasses are kept. The conversation quickly escalates, revealing a deep undercurrent of suspicion and tension between Hazel and Robin about Rose's true presence and intentions within their lives. This scene is a masterclass in building suspense through seemingly innocuous details, creating a palpable sense of unease.

Character Analysis

Hazel is characterized by a pervasive sense of anxiety and a need to subtly expose her underlying fears and suspicions, even if she denies doing so directly. She is observant, detail-oriented, and struggles with articulating her feelings without sounding irrational or accusatory. Robin, in contrast, appears more pragmatic and perhaps even dismissive of Hazel's concerns, attempting to rationalize Rose's actions. However, Robin’s replies also carry a dismissive or even defensive edge, suggesting a deeper complicity or avoidance. Both characters project a world-weariness that comes from a long shared history, but their dynamic in this scene highlights a chasm forming between them.

Why This Works for Auditions

This duologue is incredibly effective for auditions due to its intense tone and the rich subtext embedded within simple dialogue. It provides actors with a fantastic opportunity to showcase their ability to convey complex emotions and internal struggle without resorting to overt melodrama. The scene's focus on subtle power dynamics and unspoken anxieties allows performers to demonstrate nuanced acting, making it an excellent choice for showing depth and intensity. The contemporary setting also makes it highly relatable, while the specific anxieties concerning a breach of personal space resonate deeply.

Best Suited For

This scene is ideally suited for actors in the 55+ age range, providing excellent material for demonstrating maturity, experience, and the weight of a long-term relationship. It's perfect for those looking to portray nuanced dramatic roles and can be particularly impactful for casting types such as Matriarch, Patriarch, or anyone adept at conveying intense vulnerability. The material is also highly suitable for general-practice, self-tape auditions, and drama school auditions, offering a contained yet powerful narrative that stands alone effectively.

Performance Tips

When performing this scene, focus on the stillness and the power of the unspoken. For Hazel, let her anxiety manifest in subtle physical tells – a slight fidget, a caught breath, or sustained eye contact that borders on accusatory. For Robin, consider a grounded, almost weary delivery that suggests a desire to keep the peace, perhaps even a hint of impatience, which can escalate into defensiveness. Pay close attention to the rhythm of the dialogue and the pauses, as these are crucial for building tension and revealing the true emotional landscape of the conversation. The intensity comes from what is *not* said, even more than what is.

CharactersHAZEL, ROBIN
Duration2 min
Age Range55+
GenderAny
GenreDrama
PeriodContemporary
Formatduologue
SourceThe Children
Toneintense
Suitable Forgeneral practice, self tape, drama school audition
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