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monologue
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The Justification of Conventionality

from Three Plays by Brieux

Written by Eugène Brieux

A speaker delivers a scathing intellectual critique of bourgeois morality and the societal need for conformity. They argue that the middle class values the security of a shared lie over the instability of an original truth, fearing the 'disorientation' caused by revolutionary thinkers.

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SPEAKER

It is a cherished tradition in English politics that at a meeting of Lord Melbourne’s Cabinet in the early days of Queen Victoria, the Prime Minister, when the meeting threatened to break up in confusion, put his back to the door and said, in the cynically profane manner then fashionable: ‘Gentlemen: we can tell the House the truth or we can tell…

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Scene Notes & Audition Tips

5 sections
About This Scene

This powerful monologue, "The Justification of Conventionality," from Eugène Brieux's *Three Plays by Brieux*, delves into a profound critique of societal conformity and middle-class morality. The speaker articulates a compelling argument that society, particularly the bourgeois class, prioritizes the comfort and security of shared conventions over the unsettling truth that original thought might offer. It explores the inherent human fear of intellectual disorientation and the collective resistance to any challenge that might disrupt established norms. This piece is a thought-provoking exploration of social philosophy, presented through a sharp, analytical lens.

Character Analysis

The character delivering this monologue is a deeply intellectual and critical observer of human nature and societal structures. They possess a sophisticated understanding of political and social dynamics, using historical and metaphorical examples to bolster their argument. This individual is likely an authority figure, perhaps a philosopher, academic, or political commentator, who is unafraid to speak an uncomfortable truth. They are not merely stating an opinion but dissecting a fundamental flaw in human collective behavior, driven by a desire to expose hypocrisy and intellectual laziness, rather than personal gain or emotional outburst.

Why This Works for Auditions

"The Justification of Conventionality" is an excellent choice for auditions because it showcases an actor's ability to handle complex intellectual material with clarity, conviction, and sustained focus. The analytical tone and philosophical depth demand a strong command of language and the capacity to articulate intricate ideas compellingly. This piece allows actors to demonstrate gravitas, a nuanced understanding of social commentary, and the ability to maintain an authoritative presence throughout a substantial dramatic monologue. It stands out by offering a unique blend of intellectual rigor and dramatic weight, distinct from more emotionally driven scenes.

Best Suited For

This monologue is ideally suited for actors in the 30s-60s age range who are seeking material that highlights their intellectual depth and capacity for sophisticated character portrayal. It is perfect for those aiming for roles such as Authority Figures, Professors, Politicians, or Character Actors who can embody a sense of refined intellect and critical observation. Actors comfortable with a modern-classic dramatic style and capable of conveying a philosophical or critical tone will find this piece particularly effective. It is an exceptional selection for drama school auditions, competitive events, or general practice, offering a substantial showcase of talent.

Performance Tips

When approaching "The Justification of Conventionality," focus on clarity of thought and the precise articulation of each idea. The power of this monologue lies in its intellectual argument, so ensure that each phrase builds logically upon the last, guiding the audience through the speaker's reasoning. Avoid over-emoting; instead, let the force of the ideas themselves provide the dramatic weight, maintaining an analytical and critical tone. Use vocal dynamics and pauses to emphasize key points and transitions, demonstrating the character's intellectual control and the weight of their observations.

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