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    The Magistrate - Lukyn and Vale's Broken Hearts

    from The Magistrate

    Written by Arthur Wing Pinero

    Two gentlemen discuss their romantic woes and broken hearts over supper and champagne at a hotel.

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    Scene PreviewExcerpt — subscribe to read full scene

    LUKYN

    This is the room. Come in, Vale. This is my old supper-room--I haven't set foot here for over twenty years. By George, I hope to sup here for another twenty.

    VALE

    Do you? In less than that, unless I am lucky enough to fall in some foreign set-to, I shall be in Kensal Green.

    LUKYN

    Twenty years ago! Confound 'em, they've painted it.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Drawn from Arthur Wing Pinero's Victorian farce, this comedic exchange takes place as Colonel Lukyn brings the melancholic Captain Vale to an old hotel supper-room. While Lukyn hopes to revive fond memories and cheer his companion over supper, Vale is thoroughly consumed by romantic desolation and thoughts of his own demise. Isidore attends to their coats and order, setting the stage for an absurdly earnest discussion between two gentlemen about heartbreak and wounded pride.

    Character Analysis

    Colonel Lukyn is a robust, seasoned military man in his fifties who approaches life's miseries with practical appetite and brisk optimism. Captain Vale, a younger gentleman in his twenties or thirties, embodies comic melodrama, wrapping his shattered heart in grave thoughts of catacombs while still minding his boutonniere and cigarette brand. Isidore acts as the efficient, neutral presence that highlights the self-absorbed nature of the two upper-class patrons.

    Why This Works for Auditions

    This classical farce pairing offers exceptional material for demonstrating comedic timing, status play, and Victorian verbal agility. The scene thrives on the stark contrast between Lukyn’s hearty pragmatism and Vale’s dry, exaggerated wallowing. Actors have rich opportunities to deliver ridiculous complaints with absolute gravity, making the high-stakes absurdity immediately engaging for audition panels.

    Best Suited For

    The piece is particularly well suited for character actors and comic relief performers targeting period projects, competitions, or drama school auditions. It also functions wonderfully as general practice for actors exploring classical comedy styles, dry British wit, and farce dynamics.

    Performance Tips

    Commit entirely to the genuine seriousness of each character without overtly winking at the audience. Vale’s comedic power comes from his deep, unironic sorrow over trivial insults, while Lukyn shines when his attempts at comfort are genuinely well-meant yet utterly tone-deaf. Keep the physical business crisp—such as handling handkerchiefs, cigarette cases, and coats—and maintain an alert, responsive rhythm throughout the conversation.

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