Skip to content
    Play
    monologue
    Drama

    The Nose Speech

    from Cyrano de Bergerac

    Written by Edmond Rostand

    Act I. Cyrano de Bergerac confronts a young nobleman who has insulted his large nose by delivering a brilliant, self-deprecating, and witty oration. He demonstrates his intellectual superiority and bravado by listing various ways the man could have more creatively insulted him, turning a moment of mockery into a display of poetic dominance.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse on your terms

    Take this monologue into rehearsal and work through it at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    CYRANO DE BERGERAC

    Ah no! young blade! That was a trifle short!

    CYRANO DE BERGERAC

    You might have said—oh, many things! Mon dieu!

    CYRANO DE BERGERAC

    Why waste your opportunity? For example, thus:

    CYRANO DE BERGERAC

    AGGRESSIVE: I, sir, if that nose were mine, I'd have it amputated—on the spot!

    CYRANO DE BERGERAC

    FRIENDLY: How do you drink with such a…

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read The Nose Speech in full, with access to 5,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Featured in Act I of Edmond Rostand's classical drama Cyrano de Bergerac, this monologue showcases one of the stage's most celebrated displays of bravado. When an arrogant young nobleman delivers a clumsy insult about the size of his nose, Cyrano seizes the moment to stage a dazzling, self-deprecating counterattack. Instead of lashing out with physical violence, he delivers an imaginative catalog of creative ways to mock him, completely overwhelming his opponent through poetic brilliance and intellectual dominance.

    Character Analysis

    Cyrano de Bergerac is an intensely sophisticated outsider whose ferocious intellect is matched only by his theatrical flair. While acutely conscious of his physical appearance, he refuses to be diminished or patronized by smaller minds. His primary weapon is a virtuosic, razor-sharp wit that allows him to transform personal vulnerability into an unassailable fortress of pride and bravado.

    Why This Works for Auditions

    This two-minute classical piece provides an exceptional showcase for an actor's vocal dexterity, comedic timing, and sheer charisma. Because Cyrano adopts multiple attitudes and rhetorical styles within a single speech, the material offers immediate proof of versatility and dynamic range. Auditors can clearly evaluate an actor's command of classical language, rhythm, and magnetic stage presence without needing a scene partner.

    Best Suited For

    This monologue is ideally suited for male performers aged thirty-five to forty-five who identify with leading man or dynamic character actor casting types. It serves as an outstanding selection for drama school auditions, competitive festivals, and agent showcases that require a classical text. It is also a superb selection for general practice to test vocal stamina and theatrical dexterity.

    Performance Tips

    Avoid the temptation to deliver every creative insult at the same rapid tempo or heightened volume. Treat each rhetorical example as a distinct mini-performance, discovering unique vocal colors and physical attitudes for every approach Cyrano suggests. Most importantly, remember that beneath the dazzling comedic display, Cyrano is actively defending his dignity and asserting superiority over his rival. Keep the high-stakes objective alive so the virtuoso language remains anchored in real dramatic power.

    No ratings yet
    Sign in to rate