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duologue
Drama

The Terrible Feat

from Macbeth

Written by William Shakespeare

The Terrible Feat from Macbeth — audition scene

Act I, Scene 7. Macbeth experiences a crisis of conscience regarding the plot to murder King Duncan, but Lady Macbeth ruthlessly questions his manhood and resolve. She presents a meticulous plan to frame the King's chamberlains, eventually convincing Macbeth to proceed with the assassination.

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Scene PreviewExcerpt — subscribe to read full scene

MACBETH

We will proceed no further in this business.

LADY MACBETH

Was the hope drunk wherein you dress’d yourself? Hath it slept since? And wakes it now, to look so green and pale at what it did so freely?

MACBETH

Pr’ythee, peace! I dare do all that may become a man; who dares do more is none.

LADY MACBETH

But screw your courage to the sticking-place,…

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Scene Notes & Audition Tips

5 sections
About This Scene

This classical drama duologue from Act I, Scene 7 of William Shakespeare's tragedy *Macbeth* captures an intense turning point in the story. Macbeth experiences a severe crisis of conscience regarding the plot to murder King Duncan and attempts to abandon the scheme entirely. Lady Macbeth intervenes with fierce determination, relentlessly challenging his resolve and offering a meticulous plan to frame the King's sleeping chamberlains.

Character Analysis

Macbeth wrestles openly with moral guilt, fear, and personal honor as he attempts to halt the impending assassination. Though ambitious, he is deeply conflicted and finds himself on the defensive as his sense of manhood is challenged. Lady Macbeth displays formidable focus, utilizing psychological manipulation, shame, and strategic calculation to overcome his doubts. She operates with absolute clarity, shifting from sharp reproaches to calm, steady leadership to achieve her goal.

Why This Works for Auditions

Running approximately four minutes, this scene delivers a gripping display of rapid power shifts and emotional volatility. Both performers are given active, conflicting objectives that keep the dramatic tension taut from the opening line to the final agreement. It allows actors to demonstrate their mastery of heightened classical language while maintaining authentic physical and emotional connection under immense dramatic pressure.

Best Suited For

This duologue is well suited for mature performers in the 35 to 45 age range, offering ideal audition material for Leading Man, Leading Lady, Femme Fatale, and Villain casting categories. It is an exceptional vehicle for drama school auditions, agent showcases, acting competitions, and intensive general scene work.

Performance Tips

Ground the intense conflict in the private history and partnership between these two characters rather than treating the moment as distant historical melodrama. Macbeth must let the audience experience the real weight of his hesitation so that his eventual submission feels earned. Lady Macbeth should deliver her challenges with precise tactical variety, using emotional intimacy as effectively as cold logic to win the argument.

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