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The Tyranny of Motherhood

from Preface to Three Plays by Brieux

Written by George Bernard Shaw

A polemical address regarding the economic and social entrapment of women within the institution of marriage. The speaker critiques the lack of employment for women and the legal absurdities surrounding reproductive rights and marital obligations.

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SPEAKER

In this most wretched of all classes there is no employment for women except the employment of wife and mother, and no provision for women without employment. The fathers are too poor to provide. The daughter must marry whom she can get: if the first chance, which she dares not refuse, is not that of a man whom she positively dislikes, she may…

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Scene Notes & Audition Tips

5 sections
About This Scene

This dramatic monologue, written by George Bernard Shaw, presents a powerful and critical examination of the societal constraints placed upon women, particularly within the institution of marriage. The speaker delivers a passionate critique of the economic and social binds that force women into marriage as their only viable path, and the subsequent legal absurdities and personal frustrations they often face. It dives deep into the lack of employment opportunities for women and the profound implications this has on their autonomy and well-being, especially concerning reproductive rights and marital obligations.

Character Analysis

The character delivering this monologue is a deeply critical and impassioned individual, likely positioned as an intellectual or an academic, who possesses a strong sense of social justice. They are astute observers of societal structures and are unafraid to challenge conventional norms. This person is an advocate, driven by a desire for legal and social reform, speaking on behalf of those marginalized by an inequitable system. They embody an authority figure, not through rank, but through the depth of their conviction and their well-reasoned arguments.

Why This Works for Auditions

This monologue is an excellent choice for auditions due to its immediate dramatic impact and the intellectual weight it carries. It allows an actor to showcase a wide range of emotional depth and intellectual understanding, moving beyond simple recitation to embody a character with a profound internal struggle and a clear external purpose. Its critical and impassioned tone provides ample opportunity for dynamic vocal delivery and thoughtful physical expression, making it a compelling and memorable piece for casting directors.

Best Suited For

This piece is ideally suited for actors in their 30s to 60s who can convincingly portray an individual with gravitas and a strong intellectual presence. It is particularly effective for those seeking roles in historical dramas, social commentaries, or projects that require a character with a sharp wit and a critical perspective. Actors who excel at embodying authority figures, academics, or intense, thoughtful characters will find this monologue a strong match for their abilities, especially when aiming for drama school auditions or general practice.

Performance Tips

When performing this monologue, focus on letting the intellectual arguments fuel your emotional response rather than overwhelming it. Allow the language to guide you through the speaker's outrage and frustration, emphasizing key phrases that highlight the societal injustices. Vary your pace and volume to reflect the impassioned nature of the critique, ensuring that each point lands with conviction. Connect with the underlying social commentary, making it clear that the speaker is advocating for significant reform and truly believes in the necessity of these difficult discussions.

CharactersSpeaker
Duration1-2 minutes
Age Range30s-60s
Genderany
Genredrama
PeriodClassical
Formatmonologue
SourcePreface to Three Plays by Brieux
Tonecritical, impassioned
AccentReceived Pronunciation
Suitable Fordrama school audition, general practice, competition
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