Harry and Diego engage in a rapid-fire creative brainstorming session, improvising a modern vampire story set in Spanish society. As they build the narrative's rules and sexual stakes, the scene highlights the mentor-student bond and the joy of the creative process.
DIEGO: The vampires would be like a type of ethnic group, completely assimilated into Spanish society, they don’t stand out.
HARRY: They control various industries. For example, the one responsible for dark sunglasses…
DIEGO: And those that provide nightly entertainment: bars, discos, after-hours… Since they don’t need drugs to stay awake, they are the most apt for working at night.
HARRY: And for the sunscreen business. The poor things are very sensitive to climate change and to the holes in the ozone layer.
DIEGO: [Laughs] And those which sell best… This is all great…
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
Similar Scenes
Viva's V.O. on Mel
from SOME GIRLS/Episode 1
Viva walks through her housing estate, observing the chaotic environment while reflecting on her ambitions to become a child psychologist. She stops to check on her friend Mel, a young mother, offering a brief moment of support and a banana for breakfast amidst the grit of their daily lives.
Marion's Retirement from Grandparenting
from Motherland
A frantic mother, Julia, confronts her mother, Marion, who has been hiding behind a sofa to avoid childcare duties. The scene reaches a breaking point when Marion announces she is officially retiring from looking after her grandchildren, leaving Julia in a state of desperate denial and rage.
The Unwritten Life
from The Brothers Bloom
Bloom confronts his brother Stephen about his desire to quit their life of elaborate con artistry. He expresses a deep existential crisis, feeling that his entire identity has been scripted by Stephen, while Stephen attempts to deflect the seriousness of the conversation with wit and alcohol.
You're Your Problem Annie
from Bridesmaids
Megan stages a bizarre and physical intervention for a depressed Annie, who has hit rock bottom after losing her job and apartment. Through a mix of aggressive 'tough love' and a revealing story about her own past, Megan forces Annie to stop self-pitying and start fighting for her life.