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    Wallace Gives Scott an Ultimatum: Break Up with Knives

    from Scott Pilgrim vs. the World

    Written by Edgar Wright & Michael Bacall

    Scott Pilgrim vs. the World

    2 min · 3 characters · Any gender · 18-25

    Wallace issues an ultimatum to an upbeat Scott: break up with his high school girlfriend before his date with Ramona, or Wallace will tell her.

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    Scene PreviewExcerpt — subscribe to read full scene

    WALLACE

    Someone's happy.

    SCOTT

    Well, someone got to second base last night. And someone has a second date tonight.

    WALLACE

    Someone's lucky then.

    SCOTT

    You know when I say 'someone', I mean me, right? I got to second base last night...maybe first and a half.

    WALLACE

    Okay, Scott. But in return I have to issue an ultimatum.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In this comedic morning scene set inside a shared apartment, an upbeat Scott returns home celebrating a recent romantic milestone and demands the space to himself for an upcoming evening date. His roommate, Wallace, refuses to let the conversation slide into simple domestic coordination and instead delivers a firm ultimatum regarding Scott's unresolved relationship with Knives. The arrival of an overnight guest, Jimmy, adds further comic friction as Scott attempts to deflect responsibility. The exchange highlights the boundary between supportive friendship and tough-love accountability.

    Character Analysis

    Wallace is dry, observant, and completely unbothered by Scott's frantic energy, acting as an exasperated moral compass who relies on cutting wit to manage his roommate's chaos. Scott is boyish, self-involved, and conflict-averse, prone to rationalizing his questionable dating choices rather than facing awkward conversations. Jimmy provides a brief, low-key presence that contrasts sharply with Scott's theatrical outrage. The comedy stems from Wallace's cool authority puncturing Scott's naive attempts to evade accountability.

    Why This Works for Auditions

    Written by Edgar Wright & Michael Bacall, the dialogue features a crisp, rhythmic banter that demands sharp comic timing and strong vocal control. The scene presents clear, active objectives: Wallace wants to force maturity onto his friend, while Scott fights desperately to maintain his comfortable delusions. For actors auditioning for contemporary comedic projects, this material demonstrates the ability to balance deadpan delivery with high-energy physical petulance.

    Best Suited For

    This scene is particularly well suited for actors in the 18–25 age range preparing for agent showcases, comedic self-tapes, or general partner practice. It serves performers targeting Comic Relief, Best Friend, Quirky, and Everyman casting types. While Jimmy's presence makes it technically a small group scene, the core conflict functions brilliantly as a two-person showcase between Wallace and Scott.

    Performance Tips

    Maintain a brisk, snappy tempo without losing clarity or rushing through the beats. The actor playing Wallace should find humor in stillness, letting deadpan certainty contrast with Scott's restless, physical excuses. Scott must play his distress with total sincerity, treating his romantic dilemma as a genuine crisis rather than leaning into cartoonish exaggeration. Allow the silences and physical business, such as cooking breakfast or moving through the space, to ground the fast-paced dialogue in everyday reality.

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