Play
group
Drama

We Had Horses

from Three Tall Women

Written by Edward Albee

We Had Horses from Three Tall Women — audition scene

Act I. An elderly woman recounts memories of her past, specifically her experiences with horses and her husband. Her younger caregiver and a lawyer listen, with the caregiver occasionally interjecting with mild contempt.

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Scene PreviewExcerpt — subscribe to read full scene

B: Good girl!

A: We had horses when we were married;we had a stable; we had saddle horses; we rode.

C: Hoity-toity.

A: I learned to ride and I was very good.

B: I'm sure!

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Scene Notes & Audition Tips

5 sections
About This Scene

Featured in Act I of Edward Albee's modern-classic drama Three Tall Women, this scene captures an elderly woman recounting vivid memories of her marriage, social standing, and lifelong passion for riding horses. As she drifts through nostalgic recollections of horse shows and silver trophies, her listeners observe with sharply contrasting attitudes. The interaction offers an intimate, deeply emotional exploration of aging, family dynamics, and the fragile nature of memory.

Character Analysis

Character A is an elderly woman defined by fierce pride, rich reminiscence, and subtle moments of disorientation that reveal her vulnerability. She oscillates between commanding authority and childlike enthusiasm as she reconstructs the glory of her former life. In contrast, Character C serves as a cynical foil, offering quiet defiance and mild contempt that actively challenges the romanticized nostalgia of the older woman's storytelling.

Why This Works for Auditions

This piece provides exceptional material for scene study, self-tapes, and general practice because of its intricate verbal rhythms and shifting status dynamics. Performers interpreting Character A can showcase great emotional range, vocal variety, and the delicate transition between joyful remembrance and cognitive confusion. For Character C, the text presents a brilliant exercise in subtext, intense active listening, and the dramatic impact of concise, pointed reactions.

Best Suited For

This material is ideally suited for mature female actors looking for demanding, multi-layered text that avoids simple melodrama. It fits casting types spanning vulnerable elderly figures, authoritative matriarchs, and pragmatic caregivers. The psychological depth makes it an excellent choice for drama school auditions, festival showcases, and collaborative partner practice focusing on generational tension and shared history.

Performance Tips

Ground the storytelling in specific sensory details so that each recalled horse and trophy feels completely real to the audience. Actors portraying Character A must allow the pauses to breathe naturally, letting the search for forgotten details create genuine tension without breaking the rhythm. Those playing Character C should maintain strong physical stillness, ensuring that every interjection carries weight and precision without resorting to overt hostility.

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