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    Drama

    What Have You Done to the Child?

    from When We Dead Awaken

    Written by Henrik Ibsen

    A sculptor confesses to his former muse that he altered their masterpiece, leading to a tense confrontation about betrayal and artistic legacy.

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    Scene PreviewExcerpt — subscribe to read full scene

    PROFESSOR RUBEK

    I will tell you, if you will sit and listen quietly to what I say.

    IRENE

    I will listen as quietly as a mother can when she--

    PROFESSOR RUBEK

    And you must not look at me while I am telling you.

    IRENE

    I will sit here, behind you.--Now tell me.

    PROFESSOR RUBEK

    When I had found you, I knew at once how I should make use of you for my…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Drawn from Henrik Ibsen’s classical drama When We Dead Awaken, this intense duologue captures a fraught confrontation between the sculptor Professor Rubek and his former muse, Irene. Rubek confesses that he fundamentally altered the sculpture they once created together, adding darker, worldly figures to their original conception. The conversation quickly escalates into a gripping exploration of artistic betrayal, creative process, and the painful weight of regret.

    Character Analysis

    Professor Rubek is an accomplished artist in his fifties who wrestles with professional pride, guilt, and the irreversible compromises of his career. He attempts to rationalize how his evolving worldly experience demanded changes to his masterpiece, yet he remains deeply defensive and emotionally vulnerable. Irene, in her thirties, regards the original sculpture with intense maternal devotion, channeling quiet devastation and dangerous resentment as she discovers how she was marginalized within his altered vision.

    Why This Works for Auditions

    This piece provides a magnificent showcase for classical dramatic range, challenging performers to navigate dense, heightened dialogue with grounded emotional truth. Rather than leaning on outward violence or broad gestures, the scene generates power through simmering psychological tension, careful listening, and vulnerability. It demonstrates an actor's capacity to sustain high-stakes focus while exposing the fragile ego beneath an established figure's intellectual exterior.

    Best Suited For

    The three-minute duologue is exceptionally well suited for drama school auditions, agent showcases, and general partner practice. It is tailored for male performers in the forty-five to fifty-five age range and female performers in their thirties, specifically complementing intense, dramatic, vulnerable, and character actor casting profiles.

    Performance Tips

    Focus closely on Rubek’s physical defensiveness and the acute discomfort of delivering this confession while Irene positions herself out of his direct sightline. Maintain the deliberate build of the conversation, allowing the hidden danger of her quiet presence to heighten every beat. Emphasize the authentic creative passion Rubek still feels so that his rationalizations read as earnest human frailty rather than simple malice.

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