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    Film
    duologue
    Horror

    What's Your Favorite Scary Movie

    from Scream

    Written by Kevin Williamson

    Scream

    3 min · 2 characters · Any gender · Under 18

    A flirtatious phone call with a stranger turns deadly serious when he reveals he is watching her and threatens her life.

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    Scene PreviewExcerpt — subscribe to read full scene

    CASEY

    Hello.

    MAN

    Why don't you want to talk to me?

    CASEY

    Who is this?

    MAN

    You tell me your name, I'll tell you mine.

    CASEY

    I don't think so.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Kevin Williamson, this contemporary horror duologue from the film Scream captures a sudden shift from casual banter to sheer terror. The scene begins with Casey, an adolescent home alone preparing popcorn for a movie night, picking up a call from an unfamiliar man. What begins as playful, flirtatious trivia about horror movies rapidly darkens into a chilling confrontation when the caller slips and implies he is watching her from outside. The escalating tension transforms a routine domestic evening into a high-stakes struggle for survival.

    Character Analysis

    Casey fits the ingenue or girl-next-door archetype, initially radiating natural charm, quick wit, and youthful confidence. Her emotional journey requires a sharp pivot from easy amusement to gut-wrenching dread as she realizes she is in immediate physical danger. The caller, identified as Man, embodies a calculating villain who wields charm like a weapon. He disguises his sinister intent behind conversational warmth, using pacing, quiet pauses, and deliberate phrasing to unsettle his target before dropping the pretense entirely.

    Why This Works for Auditions

    This scene offers exceptional material for demonstrating sharp emotional transitions within a compact, intense framework. Because the dialogue unfolds over the phone, it demands exceptional active listening and internal processing from both performers. Casting directors can immediately assess an actor's ability to maintain high stakes and build suspense organically, avoiding the trap of playing the panic too early. It is particularly effective for showcasing emotional range, vocal control, and micro-expressions under pressure.

    Best Suited For

    This duologue is best suited for teenage actors and performers playing ingenue, girl-next-door, or intense villain casting types. It provides excellent practice for self-tapes, agent showcases, and general acting studio work, especially for projects in the horror, thriller, and mystery genres. Performers who want to highlight psychological nuance, tension building, and reactive listening will find strong opportunities here.

    Performance Tips

    Actors should avoid playing the horror right from the first line; the initial flirtation needs to feel completely casual and fun so the sudden twist lands with maximum impact. For Casey, ground your physical choices in genuine curiosity and routine domestic actions before letting panic freeze your body language. For the caller, resist overplaying the menace; delivering lines with a warm, steady cadence often feels far more chilling than overt hostility. Let the silence between lines carry the mounting suspense.

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