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    Drama

    Your Own Actions

    from Oleanna

    Written by David Mamet

    Your Own Actions from Oleanna — audition scene

    Act III. Carol confronts her professor with the news that the tenure committee has ruled against him following her accusations of sexual harassment. She rejects his attempts to appeal to her sympathy, framing his downfall as the direct consequence of his own entitled behavior and abuse of power.

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    CAROL

    The issue here is not what I “feel.” It is not my “feelings,” but the feelings of women. And men. Your superiors, who’ve been “polled,” do you see? To whom evidence has been presented, and who have ruled, do you see? Who have weighed the testimony and the evidence, and have ruled, do you see? That you are negligent. That you are guilty, that you are…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Taken from Act III of David Mamet's contemporary drama *Oleanna*, this climactic monologue marks a pivotal shift in institutional and interpersonal control. Carol confronts her university professor to deliver the tenure committee's decisive ruling following her formal complaints of sexual harassment. Firmly refusing his appeals for empathy, she frames his impending dismissal as the direct result of his own entitled behavior. The confrontation brings simmering themes of sexual politics, justice, and academic hierarchy to a searing boiling point.

    Character Analysis

    Carol is resolute, articulate, and completely transformed from the hesitant student seen earlier in the play. She speaks not as an insecure pupil seeking validation, but as an emboldened figure commanding institutional backing. Driven by an unshakeable sense of ideological conviction, she refuses to let her professor deflect blame or appeal to domestic sentimentality. Her objective is to force him to see his own guilt, dismantling his perceived authority with cold, surgical precision.

    Why This Works for Auditions

    This piece gives an actor an exceptional vehicle to demonstrate stage presence, emotional gravity, and formidable vocal control. Mamet’s stylized, rhythmic text demands extraordinary linguistic discipline, breath support, and razor-sharp tactical intentions. Audition panels will quickly assess your ability to sustain conflict and claim high status without descending into melodrama. It proves that you can handle challenging contemporary drama with intellectual clarity and visceral strength.

    Best Suited For

    Running around two minutes, this contemporary dramatic piece is exceptionally well suited for drama school auditions, industry showcases, self-tape auditions, and advanced scene study. It offers prime material for female performers playing ages eighteen to twenty-five who fall into intense, rebellious, authority-figure, or calculated casting types.

    Performance Tips

    Resist the temptation to perform Carol with erratic or uncontrolled hostility. Her power in this moment stems from clarity, emotional containment, and the absolute certainty that justice has finally been served. Treat the rhythmic repetitions and pointed rhetorical questions as targeted weapons designed to dismantle his defenses one by one. Keep your physical life grounded and allow the playwright's structured language to drive the scene forward.

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