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    Film
    duologue
    Comedy-Drama
    Thriller

    Zimm Tells You the Way It Is

    from Get+Shorty

    Written by Scott Frank, Elmore Leonard

    A frantic Harry attempts to intimidate a Miami mobster over the phone by claiming his boss is a powerful Hollywood player who demands a meeting.

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    Scene PreviewExcerpt — subscribe to read full scene

    HARRY

    Ray Barboni?

    BONES

    Who is this?

    HARRY

    Are you the guy they called Ray Bones?

    BONES

    Depends. Who's this?

    HARRY

    Who is this? I'm the one telling you the way it is, okay, asshole? That's who I am. Now you want your three hundred grand or don't you?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This dynamic duologue, "Zimm Tells You the Way It Is," plunges actors into a high-stakes phone confrontation from the film *Get Shorty*. It features Harry, an anxious associate, attempting to intimidate the Miami mobster Bones on behalf of a powerful, albeit unseen, Hollywood figure. The scene masterfully blends comedy and drama, showcasing an escalating negotiation built on bluff and bravado, all while maintaining an intense tone. Actors will find ample opportunity to explore the nuances of intimidation and desperation through verbal sparring.

    Character Analysis

    Harry is a man operating under immense pressure, visibly frantic as he tries to project authority he doesn't personally possess. He’s caught between a rock and a hard place, desperate to appear formidable while fundamentally out of his depth. Bones, on the other hand, is a seasoned criminal, initially dismissive but gradually intrigued, then subtly calculating as Harry's wild claims take hold. He's trying to decipher the legitimacy of the threat while maintaining his own air of cool menace. Both characters navigate a deceptive landscape, making the true intentions and power dynamics a compelling focus for an actor's preparation.

    Why This Works for Auditions

    "Zimm Tells You the Way It Is" is an excellent choice for auditions because it demonstrates an actor's ability to handle complex emotional shifts within a short timeframe. The telephone format forces actors to rely entirely on vocal performance and internal thought to convey character and intention, a crucial skill for self-tapes and remote castings. It also offers a clear arc for both characters – Harry's desperate bravado vs. Bones's shifting skepticism to cautious interest – showcasing range and the capacity for intricate storytelling without physical presence.

    Best Suited For

    This scene is particularly well-suited for male actors in the 45-55 age range looking for material that highlights character acting and an intense tone. It’s ideal for those who can embody either a nervous, blustering figure like Harry or a shrewd, understated criminal like Bones. Actors with a strong grasp of comedic timing layered with dramatic tension, or those adept at playing working-class types with an edge, will find this scene compelling. It's a fantastic choice for agent showcases, self-tapes, or general practice to sharpen audition skills.

    Performance Tips

    For Harry, focus on the underlying anxiety and desperation driving his aggressive posturing; his anger is a shield. Allow his voice to crackle with tension and his phrasing to reflect his internal scramble to keep the upper hand. For Bones, embody a slow burn, starting with detached annoyance and gradually letting curiosity and a hint of concern seep into his responses. His power comes from his stillness and controlled reactions, making the phone call feel like an assessment. Remember, the core of this scene is a negotiation fueled by perceived power, so explore the shifts in who holds that power moment-to-moment.

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