James Mangold

A young Bob Dylan performs a comedic anecdote at Gerde's Folk City about being paid in chess pieces for a gig in New Jersey. The scene captures his early stage persona—nervous, witty, and slightly edgy—as he transitions from a storyteller into his musical performance while acknowledging Joan Baez in the crowd.

Bob and Sylvie discuss the philosophy of self-reinvention and the relevance of folk music in a changing world. Bob expresses frustration with industry pressure to stick to traditional standards, while Sylvie encourages him to embrace the urgency of the present moment.

In the early morning light of a New York apartment, Joan and Bob discuss their musical origins and creative processes. The tension rises when Bob bluntly criticizes Joan's songwriting style, leading to a sharp exchange about authenticity and artistic ego.

In a rain-soaked car, a young Bob Dylan and folk legend Pete Seeger debate the merits of musical genres and authenticity. Bob defends the raw energy of rock and roll and Buddy Holly, while Pete argues for the purity and social weight of traditional folk music.

Bob Dylan shares his philosophy on performance and fame with Sylvie, arguing that true artists must embrace being social 'freaks' to hold an audience's attention. He explains the delicate balance between being a spectacle that people can't look away from and making the audience feel safe in their own normalcy.

Logan and Yukio confront a powerful Yakuza leader and his lieutenant in a sumo arena locker room. Logan attempts to intimidate them into leaving the Yashida family alone, only to discover that the Yakuza were not responsible for the recent assassination attempt.

In a smoke-filled hotel room, Bob Dylan is consumed by his songwriting process, neglecting Joan Baez's presence. The tension peaks as Joan confronts him about his dismissive behavior, leading to a sharp exchange about his artistic ego and their upcoming tour.