Jason Schwartzman

A seasoned journalist discovers a young revolutionary hiding in her bathtub while he attempts to write a political manifesto. The scene explores the awkward but intellectual bond between the two as they navigate personal sadness, youthful idealism, and the rigors of editorial criticism.

In a prison cell, an incarcerated artist and an ambitious art dealer negotiate the purchase of a painting. The dealer, Cadazio, attempts to convince the reluctant Rosenthaler of his professional worth while navigating the awkward presence of the painting's subject, a prison guard named Simone.

Chief, a stray dog, recounts a traumatic memory of the one time he was adopted by a family. He reflects on his instinctive, violent reaction to a child's affection and grapples with his identity as a 'biter' who doesn't understand his own nature.

In a prison crafts studio, Moses Rosenthaler attempts to register for pottery class under the strict supervision of the guard, Simone. Forced to introduce himself to the other inmates, Moses delivers a blunt and existential confession about his incarceration and his desperate need for a creative outlet to avoid self-destruction.