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Act I, Scene 1 — Troy and Bono's Friday Ritual

from Fences

Written by August Wilson

Act I, Scene 1 — Troy and Bono's Friday Ritual from Fences — audition scene

Troy and Bono, two garbage collectors, engage in their weekly ritual of drinking and talking on payday. Their conversation ranges from workplace grievances and racial inequality to women and their personal lives, revealing their complex friendship and Troy's dominant personality. Rose, Troy's wife, eventually joins them, adding another layer to the dynamic.

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BONO

Troy, you ought to stop that lying!

TROY

I ain't lying! The nigger had a watermelon this big.

TROY

Talking about . . . "What watermelon, Mr. Rand?" I liked to fell out! "What watermelon, Mr. Rand?" . . . And it sitting there big as life.

BONO

What did Mr. Rand say?

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Scene Notes & Audition Tips

5 sections
About This Scene

This powerful opening scene from August Wilson's "Fences" introduces Troy Maxson and his best friend, Bono, engaged in their weekly payday ritual of drinking and conversation. Set in 1957, it immediately establishes the complex dynamics of their friendship, revealing Troy's dominant personality and Bono's admiring loyalty. The dialogue touches on workplace struggles, racial inequality, and the complexities of their personal lives, providing a rich tapestry of American life in the mid-20th century.

Character Analysis

Troy Maxson is a formidable figure, a man of immense physical and emotional presence, grappling with past disappointments and present frustrations. He is outspoken, often crude, yet capable of profound expression, a natural storyteller whose charisma masks deeper resentments. Bono, in contrast, is the steadfast friend, an observer and confidant whose admiration for Troy anchors their thirty-year bond. He represents a grounding force, often acting as a foil to Troy's more expansive narratives and challenging his perspectives gently.

Why This Works for Auditions

This scene offers actors a fantastic opportunity to showcase a range of emotional and intellectual depth. It features rich, authentic dialogue that demands strong character choices and a nuanced understanding of subtext, making it ideal for drama school auditions or agent showcases. The dynamic between Troy and Bono allows for both intense monologue moments and intricate two-person interplay, demonstrating an actor's ability to listen, react, and command the stage with significant material.

Best Suited For

This scene is particularly well-suited for actors in the 45-55 age range who can embody the Gravitas and life experience of these characters. It's an excellent choice for a character actor comfortable portraying working-class individuals with deep internal lives and complex relationships. Both roles offer substantial material, making it versatile for two male-presenting actors or adaptable for other gender presentations seeking challenging, dramatic material focused on themes of friendship and societal struggle.

Performance Tips

When approaching this scene, focus on the rhythm and musicality of August Wilson's language, allowing the dialogue to breathe and find its natural cadences. For Troy, explore his underlying anger and frustration, but balance it with his charm and storytelling prowess, ensuring his dominance doesn't overshadow his humanity. For Bono, emphasize his active listening and subtle reactions, showcasing his internal life and the unspoken history of his friendship with Troy. Both actors should invest in the physical lives of these men, rooting their performances in their manual labor and the weight of their experiences.

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