Play
duologue
Drama
2 Characters

Act I, Scene 2 — Roy and Joe in Roy's Office

from Angels in America

Written by Tony Kushner

Roy Cohn, a powerful and erratic lawyer, juggles multiple phone calls with aggressive charm and impatience, while his young protégé, Joe, attempts to get a word in. The scene establishes Roy's dominant personality and Joe's more reserved nature, highlighting the power dynamic between them.

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ROY (Hitting a button): Hold. (To Joe) I wish I was an octopus, a fucking octopus. Eight loving arms and all those suckers. Know what I mean?

JOE

No, I . . .

ROY (Gesturing to a deli platter of little sandwiches on his desk): You want lunch?

JOE

NO, that's OK really I just . . .

ROY (Hitting a button): Ailene? Roy Cohn. Now what kind of a greeting is. . . . I…

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Scene Notes & Audition Tips

5 sections
About This Scene

This duologue, titled "Act I, Scene 2 — Roy and Joe in Roy's Office," is a powerful and intense dramatic piece from a Pulitzer Prize-winning play. It immediately establishes a stark power dynamic between the two male characters, Roy and Joe. The scene centers on Roy, a masterful and somewhat chaotic lawyer, as he manages a flurry of phone calls with aggressive charm and impatience, illustrating his dominant personality and his demanding professional life. Joe, his younger protégé, struggles to interject, subtly highlighting his more reserved nature and the clear hierarchy in their relationship.

Character Analysis

Roy is presented as a forceful, somewhat erratic, authority figure, juggling multiple conversations with an almost theatrical flair. He embodies a "villain" archetype in his charming aggression and impatience, yet he possesses an undeniable charisma. Joe, in stark contrast, is a young professional, more reserved and understated, attempting to gain agency within Roy's whirlwind. This scene requires Roy to be intensely focused and commanding, while Joe must convey silent frustration and a desire to be heard amidst the chaos.

Why This Works for Auditions

This scene is highly effective for auditions due to its fast-paced nature and the immediate establishment of a clear power dynamic. It offers both actors strong, distinct characters to inhabit and allows for powerful choices in depicting their contrasting personalities and inner struggles. The intensity and dramatic tension built into the dialogue provide ample opportunity to showcase an actor's ability to command a scene, react genuinely, and deliver nuanced emotional shifts, even in the brief moments afforded to Joe.

Best Suited For

This duologue is best suited for male actors in the 35-45 age range looking for contemporary drama audition material. It's particularly strong for those aiming for drama school auditions, self-tapes, or general practice to hone their skills in intense, character-driven pieces. Actors portraying "Authority Figure," "Villain," or "Intense" casting types will find the role of Roy especially compelling, while those portraying "Young Professional" or more "Dramatic" roles can shine in Joe's nuanced reactions.

Performance Tips

For Roy, embrace the almost manic energy and multi-tasking, ensuring each phone call has a distinct tone and objective. His charm should be laced with impatience and a subtle manipulation. For Joe, focus on conveying patience and a growing frustration through internal life and subtle physical reactions, rather than overtly trying to compete with Roy's dominance. Pay close attention to the rhythm of the dialogue, as Roy's fast-paced delivery often steamrolls Joe's attempts to speak, creating impactful moments of thwarted desire.

CharactersROY, JOE
Duration3 min
Age Range35-45
GenderMale
GenreDrama
PeriodContemporary
Formatduologue
SourceAngels in America
Toneintense
Suitable Fordrama school audition, self tape, general practice, competition
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