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duologue
Tragedy
2 Characters

Act I, Scene 2 — Yerma and the Old Woman

from Yerma

Written by Federico García Lorca

Yerma, a young woman desperate for children, encounters an older, more experienced woman in a field. Yerma confides her struggles with fertility and her detached relationship with her husband, seeking guidance and understanding. The Old Woman offers cryptic advice and a cynical view on life and marriage, leaving Yerma feeling more isolated in her longing.

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Scene PreviewExcerpt — subscribe to read full scene

Yerma Good Morning!

First old woman Good luck to the lovely lady. Where are you going?

Yerma I’ve just taken my husband his lunch. He’s working in the olive grove.

First old woman Have you been married long?

Yerma Three years.

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Scene Notes & Audition Tips

5 sections
About This Scene

This intense duologue from Federico García Lorca’s tragedy *Yerma* presents a powerful encounter between a young woman consumed by her inability to conceive and an older, more worldly woman. Set in a rural landscape, the scene captures Yerma’s profound longing for motherhood and her growing despair over her childless marriage. The conversation quickly shifts from polite inquiries to a raw confession, as Yerma desperately seeks answers and guidance from the older woman’s lived experience regarding fertility and the purpose of a woman’s life.

Character Analysis

Yerma is a character defined by her fervent desire to bear children, often to the exclusion of other aspects of her life. She is vulnerable, burdened by societal expectations and her own intense emotional landscape, leading to a deep sense of unfulfillment. The First Old Woman, in stark contrast, is a resilient matriarch with a cynical yet pragmatic view of life, marriage, and loss. She embodies a rough-hewn wisdom, having endured numerous struggles and embraced life's harsh realities, offering Yerma a perspective that is both unsettling and perhaps ultimately unhelpful in Yerma's current state.

Why This Works for Auditions

This duologue provides rich opportunities for actors to showcase a broad emotional range within a compact timeframe. It allows for compelling portrayals of yearning, frustration, and the poignant search for meaning. The dynamic contrast between Yerma's youthful desperation and the Old Woman's weathered pragmatism creates engaging conflict, making it an excellent choice for demonstrating an actor's ability to navigate complex emotional shifts and subtle power dynamics. Its intense tone ensures a memorable and impactful audition.

Best Suited For

This scene is ideally suited for female actors aged 25-35, particularly those who can convincingly portray vulnerability, dramatic intensity, and profound longing. It is perfect for drama school auditions, self-tapes, and general practice, especially for actors looking to showcase emotional depth and a strong grasp of classical tragedy. The Older Woman’s role provides a strong supporting opportunity for an actress who can embody a wise yet world-weary figure, making it suitable for performers who wish to explore roles with an "elderly" or "matriarchal" casting type.

Performance Tips

For Yerma, focus on embodying the character's deep-seated yearning and the internal struggle between hope and despair. Allow her desperation to build organically throughout the scene, showing how each interaction with the Old Woman either fuels her hope or deepens her isolation. For the First Old Woman, cultivate a sense of detached wisdom and a life-hardened perspective. Her cryptic advice and cynical observations should feel earned through years of experience, rather than merely dismissive, allowing her to convey a pragmatic worldview while still engaging with Yerma’s pain. Both actors should pay close attention to the subtext of their lines, using pauses and vocal nuance to convey unspoken emotions and the underlying themes of fertility and despair.

CharactersYERMA, FIRST OLD WOMAN
Duration4 min
Age Range25-35
GenderFemale
GenreTragedy
PeriodModern Classic
Formatduologue
SourceYerma
Toneintense
Suitable Fordrama school audition, self tape, general practice, competition
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