Play
group
Drama

Act I — We Had Horses

from Three Tall Women

Written by Edward Albee

Three Tall Women

An elderly woman recounts memories of her past, specifically her experiences with horses and her husband. Her younger caregiver and a lawyer listen, with the caregiver occasionally interjecting with mild contempt.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse this scene
Rehearse on your terms

Choose your role and voices for the other characters. Run the scene at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

A

We had horses when we were married;we had a stable; we had saddle horses; we rode.

C

(Mildly.) Hoity-toity.

A

I learned to ride and I was very good.

(Encouraging.) I'm sure!

C

(Mildly contemptuous.) How are you sure?!

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read Act I — We Had Horses in full, with access to 1,000+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This captivating two-minute scene, "Act I — We Had Horses" from Edward Albee's powerful play *Three Tall Women*, offers a rich exploration of memory, aging, and social dynamics. It features an elderly woman, A, immersed in a recounting of her past, specifically her experiences with horses and her relationship with her husband, while her younger caregiver, C, interjects with subtly contemptuous remarks. The interplay between A's vivid reminiscence and C's critical responses creates a compelling dramatic tension perfect for showcasing nuanced acting abilities.

Character Analysis

Character A is a complex individual, elderly and prone to nostalgic recollection, painting a picture of former glory and privilege. She embodies a sense of fading authority and a longing for a past where she was "the best," revealing both pride and potential vulnerability. Character C, the caregiver, acts as a foil to A, providing a younger, more cynical perspective that subtly challenges A's narrative. C's "mild contempt" suggests a deeper, perhaps unspoken resentment or judgment, making her a crucial element in the scene's dynamic despite her limited lines.

Why This Works for Auditions

This scene is a fantastic choice for auditions due to its demonstration of emotional range within a compressed timeframe. It allows an actor to showcase their ability to inhabit a character grappling with memory and the passage of time, while simultaneously reacting to external challenges. The rhythmic nature of A's storytelling, punctuated by C's pointed interjections, provides clear opportunities for dynamic shifts in tone and energy, allowing both actors to demonstrate active listening and subtle character work.

Best Suited For

This scene is particularly well-suited for female actors aged 55 and above, looking for material that highlights dramatic and emotional depth. It's an excellent choice for a drama school audition, a self-tape submission, or general practice for actors embodying elderly, caregiver, authority figure, or vulnerable casting types. The modern-classic period and emotional tone make it versatile for various audition settings where a sophisticated, character-driven performance is desired.

Performance Tips

When approaching this scene, actor A should focus on the journey of memory, allowing the story to unfold naturally with genuine emotional investment. Explore the joy and pride in the past, but also the potential fragility or vulnerability beneath the surface. Actor C should concentrate on delivering the "mildly contemptuous" lines with precision, ensuring the subtext of their judgment is clear without overshadowing A's narrative, creating a believable and engaging power dynamic. Both actors should pay close attention to pacing and the rhythm of their dialogue, ensuring the conversational flow feels authentic despite the differing motivations of their characters.

Explore this topic