Adam's Rib - Interrogation of Doris

The Crucible

by Arthur Miller

Mary Warren returns from the Salem court and hysterically describes how she became convinced of Sarah Good's witchcraft. She explains the physical sensations of the 'curse' and the evidence that led to the woman's condemnation.

Burn After Reading

by Joel Coen, Ethan Coen

While lying in bed on a yacht, Harry attempts to wax philosophical about his personal growth and mortality, only to be blindsided when his mistress, Katie, abruptly announces she is divorcing her husband. Harry awkwardly tries to mirror her commitment while subtly backpedaling regarding his own wife, revealing the shallow and self-serving nature of their affair.

Butch Cassidy and the Sundance Kid

by William Goldman

Butch and Sundance realize that the relentless posse chasing them has not been fooled by their informant. As the lawmen close in on their location, the two outlaws must quickly improvise an escape plan while grappling with the exhaustion of the pursuit.

The Brutalist

by Brady Corbet, Mona Fastvold

A tense and awkward late-night interaction between a struggling immigrant architect and his host's companion. Audrey questions Laszlo's living situation and professional pride while he grapples with his diminished status and the physical toll of his current circumstances.

Untitled Western Screenplay

by John Rogers, Kenneth Lonergan

In a rowdy saloon, Frank James confronts his brother Jesse about his addiction to the outlaw lifestyle and the emotional toll of their crimes. After a tense moment where Jesse nearly draws his weapon on his brother, the two reconcile briefly before a young, naive gang member approaches Jesse to discuss his own insecurities about being a man in their violent world.