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    duologue
    Comedy

    Austin and Felicity Make a Deal in the Jail Cell

    from Austin Powers: The Spy Who Shagged Me

    Written by Mike Myers & Michael McCullers

    Austin Powers: The Spy Who Shagged Me

    2 min · 2 characters · Any gender · 25-35

    Trapped in a cell, Austin and Felicity reconcile over Austin's lost mojo and his past marriage before attempting a seductive escape plan.

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    FELICITY

    How are we going to get out of here?

    AUSTIN

    Why don't you just shag Fat Bastard again?

    FELICITY

    Austin, that is it! I don't know what happened to you in the Nineties, but I'm still here, in the Sixties, and I still swing! Don't try to lay your hang-ups on me just because you lost your mojo!

    AUSTIN

    Ouch, baby, very ouch. I'm wounded.…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Mike Myers & Michael McCullers, this comedic duologue places two undercover partners inside a bare cement jail cell with seemingly no way out. The physical confinement forces an immediate collision between their clashing romantic philosophies, shifting from accusations of jealousy to a surprisingly tender conversation about fidelity and past heartbreak. Once common ground is reached, the pair instantly recalibrates to devise a daring escape plan. It offers actors a classic spy spoof scenario that blends relationship satire with immediate, life-or-death comic stakes.

    Character Analysis

    Austin is an eccentric, flamboyant operative whose trademark bravado is currently compromised by deep personal insecurity and grief over his short-lived marriage. Underneath his swinging persona lies an unexpected yearning for domestic responsibility and sincere romantic devotion. Felicity is a capable, fiercely independent partner unapologetic about her personal autonomy and period sensibilities. While quick to defend her lifestyle against unfair judgment, she is equally quick to offer genuine empathy and practical loyalty when her partner reveals his emotional wounds.

    Why This Works for Auditions

    This scene offers an exceptional showcase for comedic timing, tonal balance, and partner chemistry. Actors must navigate rapid shifts from heightened irritation to earnest sentimental confession, culminating in an absurd tactical debate. Because the dialogue plays parody with total internal conviction, casting directors can evaluate a performer's ability to ground broad, high-concept comedy in genuine emotional stakes. The balanced distribution of lines ensures both performers have distinct, active objectives throughout the exchange.

    Best Suited For

    Actors playing between ages twenty-five and thirty-five will find this an effective piece for general practice, agent showcases, and comedic self-tapes. It serves as an ideal platform for casting types such as Comic Relief, Romantic Lead, Action Hero, Leading Man, and Leading Lady looking to highlight their flair for satire, charm, and spirited genre pastiche.

    Performance Tips

    Play the emotional shifts with absolute sincerity rather than telegraphing the humor or winking at the audience. The comedy functions best when Austin treats his sentimental revelation as a profound personal milestone and Felicity treats her escape proposal as a reasonable operational tactic. Maintain sharp cue pickups during the early argument to establish urgency, then allow the tempo to breathe during the confession of past grief. Finally, commit fully to the physical energy of the climax, ensuring the transition into the escape plan feels abrupt, confident, and decisive.

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