Tv
duologue
Comedy-Drama
Thriller
2 Characters

Breaking and Entering

from Only Murders in the Building

Written by Steve Martin, John Hoffman

While attempting to break into an apartment to investigate a mystery, Charles and Mabel share personal histories regarding their preference for solitude versus companionship. Charles reveals his fear of becoming like his cruel father, while Mabel reflects on her childhood group of friends known as the Hardy Boys.

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MABEL

We’re good.

MABEL

How long have you lived here?

CHARLES

Twenty-eight years.

MABEL

But not always by yourself.

MABEL

You’ve been alone for 28 years?!

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling duologue, "Breaking and Entering," extracted from the popular TV series *Only Murders in the Building*, offers a unique blend of comedy and drama. It unfolds in a contemporary setting as Charles and Mabel find themselves in the intriguing predicament of attempting to break into an apartment, using the necessity of the moment to probe deeper into each other's psyches. Their conversation naturally progresses from the immediate task to vulnerable personal revelations, highlighting individual preferences for solitude versus companionship within the context of an unlikely friendship.

Character Analysis

Charles, in this scene, is depicted as a man grappling with the lingering shadow of his past, specifically his cruel father. His dialogue reveals a deep-seated fear of inheriting his father's negative traits, which has significantly influenced his preference for a solitary life. Mabel, on the other hand, presents as someone more accustomed to companionship, reminiscing about her childhood "Hardy Boys" group. Her casual mention of past "mystery solving" underscores her innate curiosity and resilience, showcasing a character who thrives in collaborative environments, contrasting with Charles's self-imposed isolation.

Why This Works for Auditions

This scene is an excellent choice for auditions due to its distinct character arcs within a short timeframe and its naturalistic dialogue. It provides ample opportunity for actors to showcase a broad emotional range, transitioning from lighthearted banter to genuine vulnerability. The interplay between Charles's internal conflict and Mabel's outward confidence creates dynamic tension, allowing performers to demonstrate nuanced acting skills while maintaining an engaging comedic-drama tone throughout.

Best Suited For

"Breaking and Entering" is particularly well-suited for actors in the 25-35 age range, aligning with the contemporary feel and themes of the piece. It's ideal for those targeting quirky or everyman casting types, as it allows for a grounded yet distinctive portrayal of characters. This scene is perfect for agent showcases and self-tapes, giving actors the chance to present a sophisticated blend of humor and emotional depth, making it a strong piece for general practice as well.

Performance Tips

When approaching this scene, actors should focus on the underlying motivations that drive each character's revelations. For Charles, emphasize the weight of his father's legacy and how that fear has shaped his choices, allowing vulnerability to emerge naturally amidst his discomfort. For Mabel, lean into her natural ease with companionship and her inherent curiosity, letting her lines reveal a casual strength and self-awareness. Pay close attention to the rhythm of the dialogue, allowing the shifts between comedic moments and poignant disclosures to feel unforced and authentic.

CharactersMABEL, CHARLES
Duration3 min
Age Range25-35
GenderAny
GenreComedy-Drama
PeriodContemporary
Formatduologue
SourceOnly Murders in the Building
Tonevulnerable
Suitable Foragent showcase, self tape, general practice
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