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    Comedy

    Conrade and Don John: Why Are You Thus Out of Measure Sad

    from Much Ado About Nothing

    Written by William Shakespeare

    Conrade and Don John: Why Are You Thus Out of Measure Sad from Much Ado About Nothing — audition scene

    Don John, the illegitimate brother of Don Pedro, expresses his melancholy and resentment to his associate Conrade. He rejects the idea of hiding his true nature, declaring himself a 'plain-dealing villain' who refuses to flatter for favor.

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    DON JOHN

    I had rather be a canker in a hedge than a rose in his grace, and it better fits my blood to be disdained of all than to fashion a carriage to rob love from any: in this, though I cannot be said to be a flattering honest man, it must not be denied but I am a plain-dealing villain.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Drawn from William Shakespeare's classical comedy Much Ado About Nothing, this two-person scene brings together Don John and his associate Conrade. Don John, the illegitimate brother of Don Pedro, gives voice to an overwhelming melancholy and smoldering resentment toward his current circumstances. Instead of concealing his bitterness to win social grace, he rejects flattery and boldly claims his identity as a blunt, unapologetic outcast, introducing a sharp, dark contrast to the play's surrounding comic world.

    Character Analysis

    Don John represents the quintessential outsider and villainous anti-hero, completely unwilling to fake good humor to please those in power. His motivations stem from wounded pride and genuine disgust for sycophancy, leading him to embrace an unyielding, bitter honesty about his malice. Conrade functions as the steady, pragmatic advisor who attempts to instill patience and tactical caution, urging his leader to mask his discontent until the opportune moment arrives to turn it into an advantage.

    Why This Works for Auditions

    This duologue provides an uncommon classical platform to explore quiet menace, rhythmic prose, and dense intellectual hostility. Casting directors see immediate evidence of an actor's facility with heightened language alongside an ability to handle grounded, dangerous subtext. The contrast between Conrade’s urgent diplomacy and Don John’s stubborn, simmering rebellion creates strong conversational friction, keeping the dramatic stakes alive throughout every beat.

    Best Suited For

    Clocking in at roughly two minutes, this classical duologue is tailor-made for drama school auditions, competitions, and general scene study practice. It offers prime showcase material for male actors in the twenty-five to thirty-five age bracket who fit villain, outsider, or anti-hero casting profiles.

    Performance Tips

    Avoid reducing Don John to a one-dimensional, sneering villain; root his declarations in a deeply felt sense of confinement and uncompromising self-awareness. For the actor playing Conrade, focus on the genuine desire to protect your ally from self-destruction, which will naturally elevate the scene's strategic tension. Honor the deliberate prose rhythms, using the antithetical phrasing to propel your thoughts forward rather than relying on broad vocal hostility.

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