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    Film
    duologue
    Drama
    Thriller

    Everybody Thinks I'm a Witch

    from Weapons

    Written by Zach Cregger

    Weapons

    Justine and Paul reunite at a bar where Justine reveals the social fallout and professional suspension she is facing following a mysterious incident.

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    Scene PreviewExcerpt — subscribe to read full scene

    JUSTINE

    So... Wow. I really didn’t expect you to come.

    PAUL

    What do you mean? You invited me.

    JUSTINE

    Yeah but you’re not supposed to come. You’re supposed to tell me to fuck off or something. He side eyes her. I’m glad you came! I just didn’t expect it. That’s all I’m saying.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Zach Cregger for the contemporary drama film Weapons, this intense two-minute duologue captures a fraught reunion between Justine and Paul in a public bar. After reaching out to initiate the meeting, Justine reveals the severe professional suspension and isolating social fallout she is enduring following a distressing incident. The exchange escalates as she recounts the targeted hostility she has encountered, including personal vandalism that brands her an outcast.

    Character Analysis

    Justine is a complex woman in her thirties who balances a tough, defiant exterior against profound inner panic as she reels from becoming a social pariah. Her defensive posture causes her to swing unpredictably between seeking reassurance and sharply rejecting any hint of pity. Paul, an empathetic contemporary in his thirties fitting the Everyman archetype, attempts to remain a calm, stabilizing presence while cautiously navigating her volatility.

    Why This Works for Auditions

    This scene offers actors an exceptional vehicle to demonstrate subtext, emotional restraint, and sudden, volatile shifts in status. The dialogue feels raw and authentic, allowing performers to build mounting dramatic tension without losing grounded realism. Because the characters share an unspoken history, audition panels can easily assess how well actors convey backstories and conflicting motivations within a brief two-minute frame.

    Best Suited For

    Performers between the ages of 25 and 35 who embody Leading Lady, Leading Man, Tough, or Vulnerable casting types will find this material especially rewarding. It serves as an impressive selection for self-tape auditions, industry showcases, and targeted scene study where grounded emotional conflict is prioritized.

    Performance Tips

    Resist the temptation to play the conflict at full volume from the very beginning of the exchange. Allow the initial social awkwardness and environmental distractions of the venue to heighten the tension before allowing the confrontation to boil over. For the actor playing Justine, ground your prickliness in wounded pride and fear rather than simple irritation. For Paul, maintain an honest intention of support, as genuine empathy provides the necessary friction to make Justine's defensive outbursts truly resonate.

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