Skip to content
    Tv
    duologue
    Drama
    Sci-Fi

    Friendship Cuts Both Ways

    from The Boys

    Written by Eric Kripke

    The Boys

    Stillwell attempts to sell a superhero contract to the Mayor of Baltimore, but the negotiation turns dangerous when he attempts to blackmail Vought.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    JULIA STILLWELL

    Steve, look. Baltimore’s a beautiful town. Those crab cakes at Faidley’s? Change your life. But you’ve got a problem. Homicide rates are up, what, 62%? Your police aren’t closing cases, you’re on the verge of needing a federal life-line.

    MAYOR

    You don’t need to salt my wounds.

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Friendship Cuts Both Ways in full, with access to 6,000+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Eric Kripke for the Emmy-winning contemporary drama series The Boys, this two-minute duologue captures a high-stakes corporate negotiation. Julia Stillwell pitches a premier superhero contract to the Mayor of Baltimore, balancing statistics with persuasive charm. However, the corporate transaction quickly shifts into a tense power struggle when the Mayor leverages a dangerous piece of blackmail against Vought.

    Character Analysis

    Julia Stillwell is a formidable, sophisticated business executive who packages raw corporate ruthlessness inside smooth professionalism and polite banter. She relies on demographic data, leverage, and calculated warmth, refusing to surrender control even when caught off guard. The Mayor is a fatigued politician under extreme municipal pressure, desperate enough to risk open confrontation through bold threats and counter-demands.

    Why This Works for Auditions

    This contemporary dramatic piece provides an exceptional showcase for actors who excel at internal tension and understated power. The sudden shift from a slick business pitch to a quiet, dangerous standoff offers clear dramatic beats without relying on melodrama or raised voices. Casting directors will immediately recognize your ability to command a room, handle complex subtext, and execute sharp micro-reactions under pressure.

    Best Suited For

    This scene is best suited for female actors playing in the 30s to 40s age range looking for villain, sophisticated professional, or authority figure roles. It is ideally tailored for agent showcases, competitive self-tapes, and general dramatic audition practice. Performers seeking material that highlights strategic dominance and corporate authority will find both roles compelling.

    Performance Tips

    Resist the temptation to show panic when the unexpected leverage is introduced. Stillwell's ultimate defense is an impenetrable, pleasant mask, meaning the slightest shift in breath or posture communicates volumes to the camera. Maintain crisp, pleasant vocal delivery throughout the scene to emphasize that your corporate persona is never truly abandoned. Allow the strategic silences to emphasize your character's absolute refusal to be intimidated.

    No ratings yet
    Sign in to rate